One of the to a greater extent than remarkable aspects of Stan Getz's 1972 masterpiece is precisely how organic he was able to hold the sound. The band surrounding Getz on this Columbia appointment was led past times Chick Corea with his Return to Forever (electric) bassist Stanley Clarke, drummer Tony Williams, together with Brazilian original percussionist Airto. With the exception of Clarke, all the balance had played with Miles Davis inwards his then-experimental electrical bands. Corea's Return to Forever was precisely getting itself off the fusion ground, land Williams had been with John McLaughlin together with Larry Young inwards Lifetime on top of his sense with Davis. But brand no mistake, this is a Stan Getz record, his gorgeous tenor tone furiously together with fluidly playing through all of Corea's hard changes on Corea's Latin carnival jam, "La Fiesta," together with shapeshifting his means through fashion changes on "Five Hundred Miles High." The nucleus for the bedrock of Return to Forever was inwards the Getz laboratory of extended complex harmony together with a strict adherence to melodic improvisation. Billy Strayhorn's "Lush Life" is the infinite inwards which Getz teaches the band most dynamic, texture, together with ambience -- he fifty-fifty has Clarke bowing his bass. This band, combining equally it did the restlessness of electrical jazz with Getz's trademark stubbornness inwards adhering to those principles that made modern jazz hence great, made for a tension that came pouring out of the speakers with smashing usual honor shining forth from every cutting -- specially the steamy Latin-drenched championship track. Captain Marvel is arguably the finest recording Getz made during the 1970s. All Music.
By the fourth dimension Stan Getz recorded Captain Marvel with Chick Corea, Stanley Clarke, Tony Williams, together with Airto Moreira, he had been inwards the music employment concern for nearly xxx years, together with was widely revered equally world-class jazz instrumentalist with a unique tenor sax voice. Getz began his career during the big band era, together with cutting his teeth with bandleaders equally various equally Stan Kenton, Benny Goodman, together with Woody Herman. Influenza A virus subtype H5N1 leader of swinging small-scale groups throughout the '50s, Getz spent around fourth dimension inwards Europe next a career disruption caused past times long-standing drug problems. He returned to the U.S. of A. of America inwards fourth dimension to aid sustain the Brazilian jazz-bossa craze, recording a serial of albums with Joao Gilberto together with married adult woman Astrud Gilberto that remain alongside the most pop jazz recordings of all time. Getz continued to move together with tape at dwelling together with abroad throughout the 1960s, but past times the halt of the decade together with the start of the next, things were changing rapidly. Traditional post-bop jazz was on the ropes, together with at that topographic point were a lot of novel sounds inwards the air, many of them thank you lot to Miles Davis together with his amazingly talented coterie of immature sidemen. Getz was interested inwards putting together a novel mass of tunes for his render to New York next a European stay.
Chick Corea, a immature pianist who had cutting his teeth with Miles Davis's get-go electrical bands, recorded a twain of amazing trio dates nether his ain name, together with and hence moved on to cast the avant-garde improvisational grouping Circle, was inwards the procedure of writing for together with forming a novel band that would move known equally Return to Forever. The grouping would expand on Davis's moves toward electrical music together with musical forms that communicated to a greater extent than straight with the listener than the abstract jazz of the belatedly 1960s. Corea together with Getz crossed paths, together with the persuasion of forming a quintet with Getz took hold. Corea brought along percussionist Airto Moreira together with 20 year-old bass phenom Stanley Clarke. Rehearsals began, but according to the original liner notes past times Albert Goldman, the projection wasn't quite jelling until Getz brought inwards drummer Tony Williams. Corea's reminiscences inwards the novel liner notes propose that he brought the entire grouping to Getz, which makes sense since Corea together with Williams had known each other for around time, fifty-fifty earlier they played together with Miles. In whatever event, the band worked out the arrangements together with opened at New York City's Rainbow Room to wild acclaim together with lines of potential listeners outside. Following the engagement, that grouping went into the studio together with recorded Captain Marvel, long acknowledged equally 1 of the best jazz recordings of the '70s together with a render to cast for Getz. Sony Legacy has at nowadays reissued the album, remastered together with with 3 additional tracks that solely add together to the album's legendary status.
Corea composed v of the 6 tracks on the original album, together with that fact says much most both Corea equally a composer together with Getz equally a mature creative mortal who knew talent when he heard it. There are many other artists who would non receive got felt comfortable recording the compositions of another, younger instrumentalist together with allowing their immature band hence much room on something of a "comeback" album, but Getz was never an creative mortal subsumed past times ego, preferring instead to practice whatever was necessary to render the best musical sense possible. It also didn't wound that the pieces themselves had a heavy Latin flavor, which lent itself good to Getz' propensity for rhythmic improvisation, nor that Corea's soaring melodic lines allowed Getz the chance to utilize his beautiful, romantic tenor tone inwards their service.
"La Fiesta" became a mainstay, non solely inwards Return to Forever's book, but inwards the books of virtually every big band out there. Maynard Ferguson together with Woody Herman had arrangements, equally did every small-scale working jazz ensemble at the time. Alternating betwixt a paso doble together with a bright, major-key tune that is equally catchy equally a Top-40 pop song, it's an irresistible slice that directly creates goodwill betwixt musicians together with audience. Clarke roams at volition across the lower attain of the group's audio land Williams keeps the measurement with an almost unbelievable energy, fusing the vigor of flamenco together with the unexpected accents of bebop with the exciting drama of rock.
Corea's Fender Rhodes move is transcendent on the entire album. The solely instrumentalist with equally fully developed a project design of the electrical pianoforte was Herbie Hancock, but the means the ii pianists approached the musical instrument was worlds apart. To Corea the instrument's real audio connoted magic, together with the fullness together with beauty of the tones he wrings from it could non receive got been done with an acoustic piano. He's the perfect foil for Getz, both supporting him together with driving him frontward without e'er becoming intrusive. The get-go bonus track, a surgery of the Corea ballad "Crystal Silence", shows how this novel electrical musical instrument could profoundly expand the linguistic communication available to jazz keyboard players. In the incorrect hands, of course, it could move cloying, but Corea is 1 of the best to e'er play the instrument. The alternate versions of "Captain Marvel" together with "Five Hundred Miles High" present that this band was creating at a high level, together with that the improvisation undertaken past times Getz together with Corea, inwards particular, was everything that jazz music had e'er been together with should be. In short, the fact that Getz was recording with a grouping of musicians who were leading jazz inwards the administration of fusion did nil to alter his distinctive style. Though he was updating his audio together with using the music of the twenty-four hours equally a springboard, he was inwards no means attempting to precisely practice something that seemed stylish at the time. Captain Marvel was a Stan Getz album because Getz was the nominal "leader" together with the solely horn histrion here, but ultimately this was a collaborative album past times a grouping of musicians who were highly attuned to each other, together with that is why the album has endured, together with yet sounds fresh today, around xxx years since it was recorded. past times Marshall Bowden.
Prior to forming the innovative fusion band Return To Forever, Chick Corea, Stanley Clarke together with Airto Moreira served valuable apprenticeships with tenor legend Stan Getz. On this hot classic these 4 stellar players joined with ex-Miles Davis drummer Tony Williams together with brought Getz into the electric-jazz era with a powerful kick. The primary highlight is the earth-shaking romp through Corea's up-tempo Latin groove "La Fiesta", with the pianist conjuring images of Barcelona tabular array dances together with Getz pouring on the burn downward with a fresh novel vigor. Some of Getz' subsequent electrical albums (such equally "Children of the World" on Columbia) were sodden, meandering efforts with few stimulating moments, but "Captain Marvel" documents a smashing band with the tenorman on the threshold of novel discoveries. Influenza A virus subtype H5N1 must-have. By Todd Jenkins.
Track listing
All compositions past times Chick Corea except equally noted.
01 "La Fiesta" – 8:21
02 "Five Hundred Miles High" – 8:09
03 "Captain Marvel" - 5:06
04 "Times Lie" – 9:46
05 "Lush Life" (Billy Strayhorn) – 2:26
06 "Day Waves" – 9:39
Bonus tracks:
07 "Crystal Silence" - 7:47
08 "Captain Marvel" - 5:18
09 "Five Hundred Miles High" - 9:29
Personnel
Stan Getz – tenor saxophone
Chick Corea – electrical piano
Stanley Clarke – bass
Airto Moreira – percussion
Tony Williams – drums
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