Although based inwards the difficult bop tradition, altoist Eric Kloss was e'er opened upward to the influence of the avant-garde. This stimulating session features Kloss, guitarist Pat Martino, keyboardist Ron Thomas, bassist Dave Holland, together with drummer Ron Krasinski actually stretching out on Carole King's "It's Too Late," "Licea," together with the three-part "One, Two, Free." Eric Kloss pushes himself together with his sidemen throughout the date, together with fifty-fifty if the Fender Rhodes sounds a flake dated, the high musicianship together with chance-taking are even together with hence exciting to hear.
Pittsburgh native Eric Kloss (b. 1949) was 1 of the nearly distinctive, master copy voices to emerge on alto sax inwards the mid-60s. He was exclusively xvi when the start of his 11 Prestige albums was released inwards 1965. These records featured the cream of the crop of New York musicians together with the immature Kloss to a greater extent than than held his ain alongside heavyweights similar Booker Ervin, Jaki Byard, Chick Corea, Cedar Walton, together with nearly notably, guitarist Pat Martino.
Kloss switched to the Muse label inwards 1972 together with debuted alongside this outstanding quartet recording, One, Two, Free ; which remains his finest achievement. In a grouping featuring Martino on guitar together with Ron Thomas on electrical pianoforte every bit good every bit bassist Dave Kingdom of the Netherlands together with beau Pittsburgher Ron Krasinski on drums, Kloss pushes together with pulls his grouping to get got chances that explore the outer edges of bop, fusion together with fifty-fifty funky popular music.
The 18-minute, three-part championship rails is clearly influenced past times Bitches Brew (on which bassist Kingdom of the Netherlands also participated). But here, similar on the surprisingly substantial funk of Carole King's "It Too Late," Kloss's arched audio together with searing agency motion the ostinato vamp inwards a to a greater extent than avant-garde direction (the agency Arthur Blythe later on would). Martino gets a notable portion of the solo spotlight together with never ceases to amaze inwards his mixture of cool chordal comps together with fleet runs upward together with downward the fretboard.
Kloss's beautiful ballad, "Licea," guided past times Dave Holland's moody, signature string work, is the precious rock of this collection together with in all likelihood deserves to endure improve known. Martino waxes lyrically earlier Kloss enters for a rueful countenance that's worth the toll of admission.
32 Jazz was wise to convey One, Two, Free dorsum into circulation - together with hold Don Schlitten's beautiful cover-art photography too. Priced good below other recent jazz reissues, One, Two, Free is a pregnant chapter inwards 1970s jazz together with provides a dandy chance to let on the interesting music of Eric Kloss (who, despite no widespread releases since the early on 1980s, even together with hence performs infrequently at Pittsburgh events alongside his vocalizer wife). Even though there's 42 minutes of music here, 1 wishes creative interaction this skilful kept on going. Recommended.
An extraordinarily gifted altoist, Eric Kloss start appeared on the scene at the historic catamenia of 16, when his debut tape won him critical acclaim every bit a blind shaver prodigy. By the fourth dimension of this recording, the 23-year-old Kloss had lived upward to his early on promise, growing every bit an open-minded instrumentalist alongside sense playing alongside such jazz heavy-weights every bit Jaki Byard, Booker Ervin, Jack DeJohnette, together with Chick Corea.
One, Two, Free is an avant-garde album of often funky music, alongside its rigid rhythms rooted inwards the driving bass lines of Miles Davis-veteran Dave Holland together with the vintage Fender Rhodes sounds of Ron Thomas. Kloss together with guitarist Pat Martino stretch imaginatively on the eighteen infinitesimal championship rails (seamlessly divided into 3 parts), crafting a memorable master copy that approaches the electrical intensity of Miles Davis‘ locomote from the same era.
Carol King’s “It’s Too Late” starts off alongside tongue-in-cheek straightness, simply in 1 trial the topic is stated, the pop-song is turned on its caput together with transformed into a funky vehicle for exploration. The closing track, “Licea,” is complex together with cerebral, simply rewards unopen listening. Featuring 2 originals together with 1 comprehend tune, all over 10 minutes long, One, Two, Free is an adventurous nail from the past times that even together with hence retains its freshness together with is definitely worth owning. Buy it, together with assist rescue 1 of the unsung heroes of the saxophone from undeserved obscurity.
Track listing
All compositions past times Eric Kloss except every bit indicated- "One, Two, Free Suite: One, Two Free/Elegy/The Wizard" (Eric Kloss, Pat Martino, Ron Thomas) - 18:03
- "It's Too Late" (Carole King, Toni Stern) - 13:38
- "Licea" - 10:10
Personnel
- Eric Kloss - alto saxophone
- Ron Thomas - electric piano, tambourine
- Pat Martino - guitar
- Dave Holland - bass
- Ron Krasinski - drums
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