This frequently overlooked album inward the canon of Ron Carter is a pure jewel in addition to non frequently found. With Rudy Van Gelder on the controls, the outright magic of this session was brilliantly captured.This is a spectacular recording amongst bully depth,presecence in addition to separation in addition to audio stage.
Moody, moody materials from Ron -- who's actually opening upward his orbit on this album, 1 cutting during his rigid emergence equally an arranger/composer amongst a bent for pushing the bass agency past times its traditional jazz role. The tape features Ron Carter on a multifariousness of basses, in addition to features dissimilar groupings of players that include Billy Cobham, Ben Riley, Kenny Barron, Don Grolnick, in addition to Dom Um Romao. Titles include "Epsistrophy", "Yellow & Green", "Tenaj", in addition to "Receipt, Please".
Ron Carter (born May 4, 1937, Ferndale, Michigan) is an American jazz double-bassist. His unique audio in addition to bully swing bring made him a long sought after studio human being -- his appearances on over 3,500 albums brand him 1 of the most-recorded bassists inward jazz history, along amongst Milt Hinton, Ray Brown in addition to Leroy Vineger. He too has a large trunk of classical recorded move equally well
Carter started to play cello at the historic flow of 10, but when his solid unit of measurement moved to Detroit, he ran into difficulties regarding the racial stereotyping of classical musicians in addition to instead moved to bass. Carter attended the historic Cass Technical High School. He played inward the Eastman School of Music's Philharmonic Orchestra, in addition to gained his bachelor's marking inward 1959, in addition to inward 1961 a master's marking inward double bass functioning from the Manhattan School of Music. His outset jobs equally a jazz instrumentalist were amongst Jaki Byard in addition to Chico Hamilton. His outset records were made amongst Eric Dolphy (another onetime fellow member of Hamilton's group) in addition to Don Ellis, inward 1960. Carter too worked during this fourth dimension amongst Randy Weston, Thelonious Monk, Wes Montgomery, Bobby Timmons, Cannonball Adderley in addition to Art Farmer. Carter is an acclaimed cellist who has performed on tape numerous times amongst the cello, notably his ain outset appointment equally leader, Where?, amongst Dolphy in addition to Mal Waldron in addition to a appointment too amongst Dolphy called Out There amongst Jaki Byard, George Duvivier in addition to Roy Haynes in addition to Carter on cello; its advanced harmonics in addition to concepts for 1961 were reminiscent of the in addition to hence electrical flow 3rd flow elbow grease on cello past times Carter, for he is minute likely exactly to Oscar Pettiford on the musical instrument inward a jazz context.
Carter came to fame via the minute bully Miles Davis quintet inward the early on 1960s, which too included Herbie Hancock, Wayne Shorter in addition to Tony Williams. Carter joined Davis's grouping inward 1963, appearing on the album Seven Steps to Heaven in addition to the follow-up E.S.P.. The latter was the outset album to characteristic the sum quintet, in addition to too featured 3 of Carter's compositions (the exactly fourth dimension he contributed compositions to Davis's group). He stayed amongst Davis's regular grouping until 1968 (when he was replaced past times Dave Holland), in addition to participated inward a pair of studio sessions amongst Davis inward 1969 in addition to 1970. Although he played electrical bass occasionally during this period, he has after eschewed that musical instrument entirely, in addition to immediately plays exactly acoustic bass.
Carter too performed on about of Hancock, Williams in addition to Shorter's recordings during the sixties for Blue Note Records. He was a sideman on many Blue Note recordings of the era, playing amongst Sam Rivers, Freddie Hubbard, Duke Pearson, Lee Morgan, McCoy Tyner, Andrew Hill in addition to many, many others.
After leaving Davis, Carter was for several years a mainstay of CTI Records, making albums nether his ain advert in addition to too appearing on many of the label's records amongst a various attain of other musicians, including Wes Montgomery, Herbie Mann, Paul Desmond, George Benson, Jim Hall, Nat Adderley, Antonio Carlos Jobim, J. J. Johnson in addition to Kai Winding, Eumir Deodato, Esther Phillips, Freddie Hubbard, Stanley Turrentine, Kenny Burrell, Chet Baker, Johnny Frigo in addition to many others.
Carter has too performed in addition to recorded amongst Billy Cobham, Stan Getz, Coleman Hawkins, Joe Henderson, Horace Silver,Stanley Turrentine, Shirley Scott,Helen Merrill, Houston Person, Red Garland, Antonio Carlos Jobim in addition to many other of import jazz artists, in addition to has recorded over 25 albums equally a bandleader.
Carter was Distinguished Professor Emeritus of the Music Department of The City College of New York, having taught in that location for 20 years, in addition to received an honorary Doctorate from the Berklee College of Music, inward Spring 2004.
Always 1 of the nearly inward demand bassist in addition to session men. He does non bring a large trunk of move equally a featured artist, but hither you lot tin grab him inward a rare environment. This fourth dimension he gets to atomic number 82 in addition to alternative the tracks. Influenza A virus subtype H5N1 bully find.
This needs to move added to a serious jazz library, equally the of import jazz figure he is.
Track listing
All compositions past times Ron Carter except equally indicated
1. "Tenaj" - 7:44
2. "Receipt, Please" - 7:05
3. "Willow Weep for Me" (Ann Ronell) - 2:40
4. "Yellow in addition to Green" - 6:13
5. "Opus 15" - 6:55
6. "Epistrophy" (Kenny Clarke, Thelonious Monk) - 6:07
Recorded at Van Gelder Studio inward Englewood Cliffs, New Bailiwick of Jersey on May 17, xviii in addition to 20, 1976
Personnel
Ron Carter - bass, piccolo bass, cowbell, tambourine
Kenny Barron - pianoforte (track 1, five & 6)
Don Grolnick - piano, electrical pianoforte (track two & 4)
Hugh McCracken - guitar, harmonica (tracks 1, 2, iv & 5)
Billy Cobham (tracks 1, 2, iv & 5), Ben Riley (track 6) - drums
Dom Um Romão - percussion (tracks two & 5)
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