Coming to prominence inwards the early on 1960s amongst pianist Adam Makowicz inwards the Jazz Darings, Stańko after collaborated with pianist Krzysztof Komeda, notably on Komeda's pivotal 1966 album Astigmatic. In 1968, Stańko formed an acclaimed quintet that included Zbigniew Seifert on violin as well as alto saxophone, as well as inwards 1975 he formed the Tomasz Stańko-Adam Makowicz Unit.
Stańko has since established a reputation every bit a leading figure non exclusively inwards Polish jazz, but on the basis phase every bit well, working with many notable musicians, including Jack DeJohnette, Dave Holland, Reggie Workman, Rufus Reid, Lester Bowie, David Murray, Manu Katche as well as Chico Freeman. In 1984 he was a fellow member of Cecil Taylor's large band.
Stańko lost his natural teeth inwards the 1990s, although over fourth dimension he developed a novel embouchure with the aid of a skilled dentist as well as monotonous practice. He would pass long hours playing what he deemed to endure "boring" long tones which helped to strengthen his lip, inwards spite of playing with the disadvantage of simulated teeth.
In 1968, alto saxophonist Zbigniew Seifert joined the newly formed Stanko Quintet, before long switched from ax to electrical violin, as well as the adjacent chapter of European Jazz history began. Beside Stanko as well as Seifert, the line-up of the Quintet included Janusz Muniak on the saxophones as well as flute, January Gonciarczyk / Bronislaw Suchanek on the bass as well as Janusz Stefanski on the drums. The Quintet made iii records: "Music for K" (1970), "Jazz Message from Poland" (1972) as well as "Purple Sun" (1973) but the albums could non compare to the magic of Quintet's life performances. The music of Quintet escaped slowly definitions. Sophisticated, collective improvisations as well as breath taking instrumental solos were bands' trademarks; hypnotic cosmic-like interactions betwixt members of the band, as well as betwixt the band as well as the life public, complemented the whole experience. Stanko Quintet disbanded inwards 1973 on the choice of its creative potential as well as after achieving cult-like next inwards Europe.
Polish trumpeter Tomasz Stanko is close belike country's best known jazz instrumentalist for around decades as well as prestigious ECM label in-house artist. Better known (especially exterior of his homeland) from his ECM-sound recordings, inwards his early on ears Stanko played quite dissimilar music. Started his career all the same at belatedly 60s, Tomasz played with inwards Polish legend Komeda band, starting his career every bit leader inwards early on 70s.
"Purple Sun" is Stanko quintet 3rd album recorded alive inwards empty hall of Music School inwards Munich,Germany. All-Polish quartet is completed with High German bassist Hans Hartmann here. Album contains iv originals (twolong as well as 2 shorter pieces). Confusingly enough, "Purple Sun" is ofttimes classified inwards music media (partially Polish) every bit early on representative of Polish avant-garde jazz which it isn't.
In reality bass-drums-trumpet-sax quartet with violinist Zbigniew Seifert on board plays high liberate energy fusion strongly influenced past times Davis' "Silent Way" as well as "Bitches Brew". Representing contrast divergence from pop Stanko ECM albums of contemporary (chamber) jazz, "Purple Sun" with its raw liberate energy as well as quite complimentary construction maybe sounds every bit avant-garde spell for traditional Stanko listeners but everyone familiar with early on Miles fusion volition confirm their musical similarity.
Stanko's fusion is to a greater extent than European comparison with Miles - in that location are less American jazz roots (no groove) but lot of High German krautrock influence inwards a shape of direct ability stream as well as rock-psychedelia. And yeh - the grade of musicians virtuosity is far non every bit inwards Davis fusion bands.
Still music sounds actually fresh as well as inspired as well as mutual "rockish" aesthetics could endure attractive for fans of jazz-rock. In all cases, this album (reissued inwards Poland on CD at to the lowest degree twice thence quite accessible) is non for numerous fans of ECM-period Stanko. Lovers of early on Miles fusion volition belike notice hither a prissy representative of similar music recorded past times i of the best Polish jazz instrumentalist ever.
Purple Sunday was inwards fact recorded inwards Munich inwards March 1973, but retained a heavyweight Polish lineup (save for a top-notch Swiss bassist), of detail banker's complaint beingness the legendary violinist Zbigniew Seifert who gives proceedings a slight Mahavishnu flavor inwards places. Overall, though, this album is only a fantastic spell of post-Bitches Brew groove with the unique slant of beingness rooted inwards Eastern European complimentary jazz.
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Track listing:
1 Boratka & Flute's Ballad 14:04
2 My Night, My Day 5:26
3 Flair 13:21
4 Purple Sun 6:09
Personnel:
Trumpet – Tomasz Stańko
Bass – Hans Hartmann
Drums, Percussion – Janusz Stefański
Soprano Saxophone, Tenor Saxophone, Flute, Percussion – Janusz Muniak
Violin, Alto Saxophone – Zbigniew Seifert
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