This ofttimes overlooked album inwards the canon of Ron Carter is a pure precious rock in addition to non ofttimes found. With Rudy Van Gelder on the controls, the outright magic of this session was brilliantly captured.This is a spectacular recording alongside neat depth,presecence in addition to separation in addition to audio stage.
Moody, moody materials from Ron -- who's actually opening upwards his orbit on this album, 1 cutting during his rigid emergence every bit an arranger/composer alongside a bent for pushing the bass agency past times its traditional jazz role. The tape features Ron Carter on a diverseness of basses, in addition to features dissimilar groupings of players that include Billy Cobham, Ben Riley, Kenny Barron, Don Grolnick, in addition to Dom Um Romao. Titles include "Epsistrophy", "Yellow & Green", "Tenaj", in addition to "Receipt, Please".
Ron Carter (born May 4, 1937, Ferndale, Michigan) is an American jazz double-bassist. His unique audio in addition to neat swing bring made him a long sought after studio homo -- his appearances on over 3,500 albums brand him 1 of the most-recorded bassists inwards jazz history, along alongside Milt Hinton, Ray Brown in addition to Leroy Vineger. He likewise has a large trunk of classical recorded function every bit well
Carter started to play cello at the historic menstruum of 10, but when his identify unit of measurement moved to Detroit, he ran into difficulties regarding the racial stereotyping of classical musicians in addition to instead moved to bass. Carter attended the historic Cass Technical High School. He played inwards the Eastman School of Music's Philharmonic Orchestra, in addition to gained his bachelor's score inwards 1959, in addition to inwards 1961 a master's score inwards double bass functioning from the Manhattan School of Music. His outset jobs every bit a jazz instrumentalist were alongside Jaki Byard in addition to Chico Hamilton. His outset records were made alongside Eric Dolphy (another old fellow member of Hamilton's group) in addition to Don Ellis, inwards 1960. Carter likewise worked during this fourth dimension alongside Randy Weston, Thelonious Monk, Wes Montgomery, Bobby Timmons, Cannonball Adderley in addition to Art Farmer. Carter is an acclaimed cellist who has performed on tape numerous times alongside the cello, notably his ain outset appointment every bit leader, Where?, alongside Dolphy in addition to Mal Waldron in addition to a appointment likewise alongside Dolphy called Out There alongside Jaki Byard, George Duvivier in addition to Roy Haynes in addition to Carter on cello; its advanced harmonics in addition to concepts for 1961 were reminiscent of the thence electrical flow 3rd flow drive on cello past times Carter, for he is minute likely but to Oscar Pettiford on the musical instrument inwards a jazz context.
Carter came to fame via the minute neat Miles Davis quintet inwards the early on 1960s, which likewise included Herbie Hancock, Wayne Shorter in addition to Tony Williams. Carter joined Davis's grouping inwards 1963, appearing on the album Seven Steps to Heaven in addition to the follow-up E.S.P.. The latter was the outset album to characteristic the amount quintet, in addition to likewise featured 3 of Carter's compositions (the but fourth dimension he contributed compositions to Davis's group). He stayed alongside Davis's regular grouping until 1968 (when he was replaced past times Dave Holland), in addition to participated inwards a twain of studio sessions alongside Davis inwards 1969 in addition to 1970. Although he played electrical bass occasionally during this period, he has later eschewed that musical instrument entirely, in addition to immediately plays but acoustic bass.
Carter likewise performed on roughly of Hancock, Williams in addition to Shorter's recordings during the sixties for Blue Note Records. He was a sideman on many Blue Note recordings of the era, playing alongside Sam Rivers, Freddie Hubbard, Duke Pearson, Lee Morgan, McCoy Tyner, Andrew Hill in addition to many, many others.
After leaving Davis, Carter was for several years a mainstay of CTI Records, making albums nether his ain mention in addition to likewise appearing on many of the label's records alongside a various hit of other musicians, including Wes Montgomery, Herbie Mann, Paul Desmond, George Benson, Jim Hall, Nat Adderley, Antonio Carlos Jobim, J. J. Johnson in addition to Kai Winding, Eumir Deodato, Esther Phillips, Freddie Hubbard, Stanley Turrentine, Kenny Burrell, Chet Baker, Johnny Frigo in addition to many others.
Carter has likewise performed in addition to recorded alongside Billy Cobham, Stan Getz, Coleman Hawkins, Joe Henderson, Horace Silver,Stanley Turrentine, Shirley Scott,Helen Merrill, Houston Person, Red Garland, Antonio Carlos Jobim in addition to many other of import jazz artists, in addition to has recorded over 25 albums every bit a bandleader.
Carter was Distinguished Professor Emeritus of the Music Department of The City College of New York, having taught at that spot for 20 years, in addition to received an honorary Doctorate from the Berklee College of Music, inwards Spring 2004.
Always 1 of the almost inwards demand bassist in addition to session men. He does non bring a large trunk of function every bit a featured artist, but hither yous tin displace grab him inwards a rare environment. This fourth dimension he gets to atomic number 82 in addition to alternative the tracks. H5N1 neat find.
This needs to live on added to a serious jazz library, every bit the of import jazz figure he is.
Track listing
All compositions past times Ron Carter except every bit indicated
1. "Tenaj" - 7:44
2. "Receipt, Please" - 7:05
3. "Willow Weep for Me" (Ann Ronell) - 2:40
4. "Yellow in addition to Green" - 6:13
5. "Opus 15" - 6:55
6. "Epistrophy" (Kenny Clarke, Thelonious Monk) - 6:07
Recorded at Van Gelder Studio inwards Englewood Cliffs, New Bailiwick of Jersey on May 17, eighteen in addition to 20, 1976
Personnel
Ron Carter - bass, piccolo bass, cowbell, tambourine
Kenny Barron - pianoforte (track 1, v & 6)
Don Grolnick - piano, electrical pianoforte (track ii & 4)
Hugh McCracken - guitar, harmonica (tracks 1, 2, iv & 5)
Billy Cobham (tracks 1, 2, iv & 5), Ben Riley (track 6) - drums
Dom Um Romão - percussion (tracks ii & 5)
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