Originally released yesteryear Cobblestone too afterward yesteryear Muse, this 1997 CD reissue from 32 Jazz features the distinctive too exploratory guitarist artist/pat-martino-mn0000792583">Pat Martino inward a tribute to artist/wes-montgomery-mn0000248392">Wes Montgomery. artist/martino-mn0000792583">Martino does non evidence to audio similar artist/wes-mn0000248392">Wes (although he uses octaves hither too there), too solely i of the vi selections ("Road Song") was genuinely recorded yesteryear artist/montgomery-mn0000248392">Montgomery; the tribute is to a greater extent than heartfelt than imitative. With the intuitive assistance of musical rhythm guitarist artist/bobby-rose-mn0001903443">Bobby Rose, bassist artist/richard-davis-mn0000851653">Richard Davis, too drummer artist/billy-higgins-mn0000070507">Billy Higgins, artist/martino-mn0000792583">Martino stretches out on vi selections, including a bluesy master copy ("The Visit"), "Footprints," too "Alone Together," ever sounding similar himself too pushing the boundaries of straight-ahead jazz.
Footprints was originally released every bit The Visit on Cobblestone Records inward 1972 thence reissued on Muse nether its electrical current championship inward 1975. This superb tape was Pat Martino's 6th every bit a leader too his showtime away from the Prestige fold. This tremendous quartet session was recorded March 1972 when the guitarist was withal solely 27 too featured the substantially driving input from bassist Richard Davis, instant guitarist Bobby Rose too drummer Billy Higgins. The disc was conceived every bit a personal tribute to the retention of his friend, Wes Montgomery, too spell it for sure has links to its inspiration, Footprints clearly outlines unopen to of Martino's nearly beautiful traits—crisp, logical, narrative lines; nil hurried or studied but, rather, a nearly thoughtful controversy of heartfelt intention.
The disc, late reissued on CD yesteryear 32 Jazz, begins amongst Martino's rousing "The Visit," a 6/8 blues slice that suggests a much to a greater extent than adventuresome Wes-like appeal. Richard Davis assumes the purpose of dueling co-leader rather than timekeeper hither too throughout. And it genuinely makes a deviation too.Montgomery's "Road Song" is explored to demo the similarities—and differences—in the ii guitarist's styles. Martino, a actor of many ideas, traverses Wes's octaves too performs single-note patterns that would larn out Montgomery dark-green amongst envy. The blues balladry of Wayne Shorter's enchanting "Footprints" gets i of its nearly haunting, ethereal performances ever inward Martino's free-for-all exploration. Martino glides over his fretboard effortlessly spell Davis too Higgins function a simpatico gypsy groove (Davis has a provocative solo hither too). Bobby Rose is heard, ever thence rhythmically, challenging Martino to detect novel paths, making i wonder where the Gabor Szabo/Jimmy Stewart squad would stimulate got taken a precious rock similar this. The plan is rounded out amongst the first-class performances of Michel Legrand's "What Are You Doing The Rest Of Your Life," "Jobim's "How Insensitive" too the Dietz/Schwartz measure "Alone Together"—a collection of crowd-pleasing tunes that would jibe easily into many of Wes Montgomery's Verve dates.
During a 30-year recording career of many highs too a few lows, Footprints stands every bit i of Pat Martino's real best. The musicianship is superior, dynamic too attending grabbing. Best of all, this ideal quartet's interplay is outstanding too often astounding. Very highly recommended.
Conceived every bit a tribute to Wes Montgomery, this album was originally issued every bit The Visit inward 1975. At the time, jazz guitar was experiencing a revival of sorts that primarily focused on players who had showtime gotten their start inward the ’50s. In that context, this work-attitude laden too rife amongst hip, technically pristine blowing-represented a breath of fresh air that helped lay the groundwork for the Martino mystique.
Supported yesteryear instant guitarist Bobby Rose, bassist Richard Davis, too drummer Billy Higgins, Martino utilizes a broad make of grooves to conjure a diversity of moods. Influenza A virus subtype H5N1 brilliant jazz waltz inward the mold of Montgomery’s “West Coast Blues,” “The Visit” swings mightily, giving Pat a adventure to shape long, fluid lines that oftentimes dip into his deep creative well. The caput to Montgomery’s slow grooving “Road Song” is rendered inward octaves; during the blowing section, Pat freely contrasts extended phrases amongst bluesy licks. Slow too seductive, “Footprints” explores novel spaces that detect Martino playing rhythmically too at i betoken incorporating a serial of microtonal bends (the ending features unopen to peculiarly cool bow function yesteryear Davis).
While the album’s length is brief yesteryear today’s standards too it would stimulate got been prissy if this reissue had retained the master copy art too championship (the master copy liner notes are included), it’s Martino’s musicality-here at the tiptop of its powers-that makes Footprints a jazz guitar classic.
Martino plays inward a 2-guitar quartet – amongst Bobby Rose backing him upwards on guitar, addition musical rhythm accompaniment yesteryear Richard Davis too Billy Higgins. The sound's definitely inward the trippier, post-hippie manner of Martino's work, amongst a kind of looseness too fluidity that yous either dear or hate, merely a nicely swinging musical rhythm underneath. Titles include "Footprints", "Road Song", "The Visit", too "Alone Together". (Out of print.)
Footprints was originally released every bit The Visit on Cobblestone Records inward 1972 thence reissued on Muse nether its electrical current championship inward 1975. This superb tape was Pat Martino's 6th every bit a leader too his showtime away from the Prestige fold. This tremendous quartet session was recorded March 1972 when the guitarist was withal solely 27 too featured the substantially driving input from bassist Richard Davis, instant guitarist Bobby Rose too drummer Billy Higgins. The disc was conceived every bit a personal tribute to the retention of his friend, Wes Montgomery, too spell it for sure has links to its inspiration, Footprints clearly outlines unopen to of Martino's nearly beautiful traits—crisp, logical, narrative lines; nil hurried or studied but, rather, a nearly thoughtful controversy of heartfelt intention.
The disc, late reissued on CD yesteryear 32 Jazz, begins amongst Martino's rousing "The Visit," a 6/8 blues slice that suggests a much to a greater extent than adventuresome Wes-like appeal. Richard Davis assumes the purpose of dueling co-leader rather than timekeeper hither too throughout. And it genuinely makes a deviation too.Montgomery's "Road Song" is explored to demo the similarities—and differences—in the ii guitarist's styles. Martino, a actor of many ideas, traverses Wes's octaves too performs single-note patterns that would larn out Montgomery dark-green amongst envy. The blues balladry of Wayne Shorter's enchanting "Footprints" gets i of its nearly haunting, ethereal performances ever inward Martino's free-for-all exploration. Martino glides over his fretboard effortlessly spell Davis too Higgins function a simpatico gypsy groove (Davis has a provocative solo hither too). Bobby Rose is heard, ever thence rhythmically, challenging Martino to detect novel paths, making i wonder where the Gabor Szabo/Jimmy Stewart squad would stimulate got taken a precious rock similar this. The plan is rounded out amongst the first-class performances of Michel Legrand's "What Are You Doing The Rest Of Your Life," "Jobim's "How Insensitive" too the Dietz/Schwartz measure "Alone Together"—a collection of crowd-pleasing tunes that would jibe easily into many of Wes Montgomery's Verve dates.
During a 30-year recording career of many highs too a few lows, Footprints stands every bit i of Pat Martino's real best. The musicianship is superior, dynamic too attending grabbing. Best of all, this ideal quartet's interplay is outstanding too often astounding. Very highly recommended.
Conceived every bit a tribute to Wes Montgomery, this album was originally issued every bit The Visit inward 1975. At the time, jazz guitar was experiencing a revival of sorts that primarily focused on players who had showtime gotten their start inward the ’50s. In that context, this work-attitude laden too rife amongst hip, technically pristine blowing-represented a breath of fresh air that helped lay the groundwork for the Martino mystique.
Supported yesteryear instant guitarist Bobby Rose, bassist Richard Davis, too drummer Billy Higgins, Martino utilizes a broad make of grooves to conjure a diversity of moods. Influenza A virus subtype H5N1 brilliant jazz waltz inward the mold of Montgomery’s “West Coast Blues,” “The Visit” swings mightily, giving Pat a adventure to shape long, fluid lines that oftentimes dip into his deep creative well. The caput to Montgomery’s slow grooving “Road Song” is rendered inward octaves; during the blowing section, Pat freely contrasts extended phrases amongst bluesy licks. Slow too seductive, “Footprints” explores novel spaces that detect Martino playing rhythmically too at i betoken incorporating a serial of microtonal bends (the ending features unopen to peculiarly cool bow function yesteryear Davis).
While the album’s length is brief yesteryear today’s standards too it would stimulate got been prissy if this reissue had retained the master copy art too championship (the master copy liner notes are included), it’s Martino’s musicality-here at the tiptop of its powers-that makes Footprints a jazz guitar classic.
Martino plays inward a 2-guitar quartet – amongst Bobby Rose backing him upwards on guitar, addition musical rhythm accompaniment yesteryear Richard Davis too Billy Higgins. The sound's definitely inward the trippier, post-hippie manner of Martino's work, amongst a kind of looseness too fluidity that yous either dear or hate, merely a nicely swinging musical rhythm underneath. Titles include "Footprints", "Road Song", "The Visit", too "Alone Together". (Out of print.)
Track listing
- "The Visit" (Pat Martino) - 4:34
- "artino - 1972 [1997] Footprints">What Are You Doing the Rest of Your Life?" (artino - 1972 [1997] Footprints">Alan Bergman, artino - 1972 [1997] Footprints">Marilyn Bergman, artino - 1972 [1997] Footprints">Michel Legrand) - 7:18
- "Road Song" (artino - 1972 [1997] Footprints">Wes Montgomery) - 5:43
- "Footprints" (artino - 1972 [1997] Footprints">Wayne Shorter) - 8:22
- "artino - 1972 [1997] Footprints">How Insensitive" (artino - 1972 [1997] Footprints">Norman Gimbel, artino - 1972 [1997] Footprints">Antônio Carlos Jobim, artino - 1972 [1997] Footprints">VinÃcius de Moraes) - 6:13
- "artino - 1972 [1997] Footprints">Alone Together" (artino - 1972 [1997] Footprints">Howard Dietz, artz" title="Learn Pat Martino - 1972 [1997] Footprints">Arthur Schwartz) - 5:52
Personnel
- artino" title="Learn Pat Martino - 1972 [1997] Footprints">Pat Martino - artino - 1972 [1997] Footprints">guitar
- Bobby Rose - guitar
- artino - 1972 [1997] Footprints">Richard Davis - artino - 1972 [1997] Footprints">bass
- artino - 1972 [1997] Footprints">Billy Higgins - artino - 1972 [1997] Footprints">drums

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