By the fourth dimension Illicit was released inwards 1992, Scott Henderson & Tribal Tech (led past times Henderson together with bassists Gary Willis) had been established every bit i of the premier, if non the premier, experimental fusion outfits on the globe. That's "fusion" every bit inwards the fusion of jazz together with rock, non the vanilla instrumental musings of artists similar Kenny G, which are occasionally mislabled every bit such. Henderson's dramatic together with powerful soloing together with his incredibly refined chord move were the greatest causes for the early on attending the grouping received, together with Illicit alone furthered the guitarist's reputation with its post away together with musical vigor. Henderson's note is sublime together with Holdsworth-ian inwards its ofttimes horn-like quality, together with Covington, bassist Gary Willis, together with keyboardist Scott Kinsey somehow larn by to gibe Henderson's dynamism together with character. "Torque" is Illicit's clear highlight, with its prog stone bombast of ability chords topped with angular, classically influenced harmony keyboard together with guitar flurries. Experimental together with intense, Illicit is every bit company an offering every bit Tribal Tech delivered inwards the '90s.
"Illicit" was Tribal Tech's 1992 spit-in-the-face to corporate radio together with tape companies who would have got earth believing "light jazz" is actually fusion. The opening track, "The Big Wave," is a convincing spoof of a lite jazz radio station found inwards whatever big metropolis inwards the United States. The rail begins with a cheerily cheesy tune, which sounds similar something that mightiness live on played on i of the many 'wave' stations. Then the drums growth inwards tempo together with book until the master copy tune is obliterated, whereupon the band launches into or together with hence rattling loud, rattling edgy together with highly syncopated playing--the hallmark of Tribal Tech. "Illicit" features ii improvisational numbers, "Riot" (named for the L.A. riots happening nearby at that time) together with "Aftermath" (also pointing out the riot's devistation). Bottom line--this album sounds similar a live-in-the-studio record, with a raw, cutting audio together with less slickness inwards the overall production. Highly recommended to all fusion fans.
This cd inwards zip less than amazing. Tribal Tech particularly inwards this business up, is an amazing band. This cd is the outset with the business upwards that personally I honor impossible to surpass ... Henderson, Willis, Covington, Kinsey. You can't vanquish these guys inwards this form of music ... that I may call, ... fusion, a give-and-take with the most hated for unlike reasons (I intend past times the guys themselves). It is fantastic that Illicit begins with few seconds of what people to a greater extent than ofttimes than non tend to intend nearly when the give-and-take fusion comes to mind. Influenza A virus subtype H5N1 form of mellifluos, ultra sweet, elevator-kennyg type of thing, ... together with subsequently those few seconds the band starts an incredible funky fusion groove, "Big vawe" with solos to move for. What you lot volition honor inwards this album is an incredibly tight band, a fantastic unit, scaring musicians that play rattling forwards music. This music isn't for every cat. This music is dense, intense, intelligent ... funny together with entertaining. But ... it deserves your attention. Think Weather Report with a boost of ultramodernity, with a guitar instead of a sax together with you lot have got the picture. I ain all the albums from the band (minus Dr Hee together with Spears which are unavailable at this time, ... they look sometimes on the used marketplace at out of this globe prices) together with I intend this i ranges with the best together with Reality check. I adore this one. It's fusion from outer space. Stellar music from the X men of fusion.
Looking for Kenny G or Bela Fleck? Click to or together with hence other link - this is cream-of-the-crop Tribal Tech, together with it's every bit liable to post away your ears off every bit anything else. What is most remarkable nearly all of Tribal Tech's output is the combination of virtuosity together with restraint. They never audio similar they're showing off, even together with hence in that location are enough of jaw-dropping moments on every disc. This i is no exception, together with it's in all likelihood the "rawest" sounding of all their catalog. The compositions are complex together with versatile, even together with hence tend to easily stick inwards the mind. The improvisation is sheer brilliance. As usual, they don't accept themselves also seriously, infusing enough of sense of humor inwards the music, even together with hence the towering composition together with fifty-fifty to a greater extent than towering performances ascendence a seriousness of their own. This is a must-own for every guitar or bass player, whatever fusion fan, together with anyone who wants to pause out of the estrus of contemporary fuzak-jazz. It's albums similar these that brand Kenny G audio positively wimpy, together with the open-minded of the contemporary jazz gear upwards mightiness honor themselves irrevocably changed. Heaven knows I couldn't postulate heed to that materials subsequently listening to this.
The album was recorded during the L.A. Riots inwards Apr 1992 at Cherokee Studios, Hollywood, California.
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Track listing:
01 "The Big Wave" (Gary Willis) – 6:31
02 "Stoopid" (Gary Willis) – 5:47
03 "Black Cherry" (Scott Henderson) – 6:42
04 "Torque" (Scott Henderson) – 6:02
05 "Slidin'" Into Charlisa (Scott Henderson) – 7:32
06 "Root Food" (Scott Henderson) – 8:13
07 "Riot" (Tribal Tech) – 6:58
08 "Paha Sapa" (Gary Willis) – 3:24
09 "Babylon" (Gary Willis) – 5:26
10 "Aftermath" (Tribal Tech) – 7:03
Personnel:
Scott Henderson - guitar
Gary Willis - bass
Scott Kinsey - keyboards
Kirk Covington - drums
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