Liebman played on Davis' On the Corner (Legacy, 1972)—a dense album that, alongside its repetitive grooves together with flat-out sonic assaults, was ane of the trumpeter's almost audacious together with controversial recordings. Augmenting his electrical current quartet alongside 2 guests—guitarist (and Davis alumnus) Mike Stern together with electrical contrabassist Anthony Jackson—Liebman has expanded his sonic capabilities, exactly the overall approach is filled alongside a infinite and, at times, calm rarely heard inward Miles' mid-'70s music.
Unlike other tributes, there's no trumpet here, together with the emphasis is on master copy material. The studio versions of the 2 Davis tracks Liebman has selected are ones that he didn't perform on record, though he did play them inward performance. "Black Satin" rocks as difficult as Miles ever did, exactly breathes to a greater extent than inward the process; "IFE" is a slower, greasier convey where Vic Juris in ane lawsuit once again demonstrates his remarkable versatility together with incomprehensible set as ane of jazz's almost undervalued guitarists.
Liebman may live known for his fiery intensity—and he delivers enough of it on tracks similar the swinging "5th Street" together with Latin-esque "New Mambo," where, next an as powerful solo from Stern, he goes it lone alongside drummer Marko Marcinko earlier the residual of the grouping gradually re-enters. Both tracks as good betoken to Liebman as a author of greater detail. There's ample solo infinite throughout the album together with a rigid emphasis on groove. But Liebman writes to a greater extent than clearly delineated heads, which render a greater focal betoken for the residual of the group.
Perhaps the biggest revelation is "Bela," a tranquil, classically informed note poetry form that features a lyrical bass solo from Tony Marino together with some elegant tradeoffs betwixt Stern together with Juris. The reference to Miles may look subtle given the fourth dimension menstruum when Liebman worked alongside him, exactly Miles ever respected spare economic scheme together with classicism. "Bela" is ane of the almost vulnerable together with frail pieces Liebman has every written, though the tenuous groove of "Mesa D'Espana" is a unopen second.
What makes Back on the Corner special is its avoidance of literal homage. Instead, Liebman demonstrates the real particular final result that Miles had on him inward ways that may demand a petty searching. Liebman has ever spoken alongside his ain voice, exactly dig deep into Miles, together with Liebman's abide by on Back on the Corner becomes crystal clear.
While listening to saxophonist Dave Liebman's 2007 release, Back on the Corner, it's pretty darn difficult non to mean value of Miles Davis' groundbreaking early-'70s fusion period. And in that place are obvious reasons for this: firstly, Liebman genuinely played alongside Davis at ane betoken (appearing on Davis' 1973 release, On the Corner), some other Davis sideman plays throughout the album (guitarist Mike Stern), together with lastly, 2 of the compositions were penned past times Davis himself. Joining Liebman together with Stern is renowned sessionman Anthony Jackson on contrabass, summation Liebman's ain band of the final fifteen years (bassist Tony Marino, guitarist Vic Juris, together with drummer Marko Marcinko). And the grouping admirably replicates the audio together with experience of all those classic fusion releases of the early on '70s (no Spyro Gyra-esque blahness here), particularly on the aforementioned Davis-penned tracks, "Ife" together with the downright funky "Black Satin," as good as the laid-back album opener, "5th Street," together with some other funk workout, the properly titled "J.B. Meets Sly." If you lot mean value that vintage-sounding fusion is dead together with gone circa the early on 21st century, Dave Liebman's Back on the Corner should alter your mind.
Saxophonist Dave Liebman started his 18-month tenure alongside Miles Davis inward 1972 past times recording tracks for On the Corner, the trumpeter’s nod to funk artists James Brown together with Sly & the Family Stone. On Back on the Corner, Liebman revisits the spirit of that oft-debated recording without rehashing it runway past times track, together with gets ample back upwardly from guitarist (and beau Miles alum) Mike Stern together with bassist Anthony Jackson.
The invitee stars’ contributions are matched past times Liebman’s 15-year-old working band of guitarist Vic Juris, bassist Tony Marino together with drummer Marko Marcinko. They propel Stern’s epic solo on an energized “Black Satin,” the lone runway from On the Corner. The other Davis composition, the strutting “Ife,” features Liebman’s soprano darting or together with thus Juris’ chiming chords together with Marino’s Chapman stick.
All other compositions are past times Liebman, together with they encompass several dissimilar musical corners. “5th Street” opens the CD alongside surprising tranquility, a stark contrast to the 20-minute “On the Corner” medley that led off the album that inspired this one. Marcinko’s drum solo segues into “New Mambo,” an odd-timed showcase for the interplay betwixt Stern’s guitar together with Liebman’s tenor. Juris’ acoustic guitar interlude leads into the moody “Mesa D’Espana,” which features Liebman on soprano together with wooden flute. Only the closing “J.B. Meets Sly/5th Street Reprise” recalls the hyperactive funk of On the Corner. Lesser artists powerfulness withdraw maintain tried to predictably recreate that disc verbatim, exactly Liebman proves that he learned a valuable lesson during those eighteen months: Doing the expected was never Miles’ style, either.
Track Listing:
1. fifth Street
2. Ife
3. Bass Interlude
4. Black Satin
5. Bela
6. Drum Interlude
7. New Mambo
8. Acoustic Guitar Interlude
9. Mesa D’Espana
10. Electric Guitar Interlude
11. J.B. Meets Sly/5th Street Reprise
Personnel:
Dave Liebman: tenor together with soprano saxophones, piano, synthesizer, wooden flute;
Mike Stern: electrical guitar;
Anthony Jackson: contrabass guitar;
Vic Juris: electrical together with acoustic guitar;
Tony Marino: acoustic, electrical together with stick bass;
Marko Marcinko: drums, percussion.
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