By the fourth dimension Illicit was released inward 1992, Scott Henderson & Tribal Tech (led past times Henderson together with bassists Gary Willis) had been established every bit i of the premier, if non the premier, experimental fusion outfits on the globe. That's "fusion" every bit inward the fusion of jazz together with rock, non the vanilla instrumental musings of artists similar Kenny G, which are occasionally mislabled every bit such. Henderson's dramatic together with powerful soloing together with his incredibly refined chord run were the greatest causes for the early on attending the grouping received, together with Illicit exclusively furthered the guitarist's reputation amongst its give notice together with musical vigor. Henderson's musical note is sublime together with Holdsworth-ian inward its oftentimes horn-like quality, together with Covington, bassist Gary Willis, together with keyboardist Scott Kinsey somehow create exercise to gibe Henderson's dynamism together with character. "Torque" is Illicit's clear highlight, amongst its prog stone bombast of ability chords topped amongst angular, classically influenced harmony keyboard together with guitar flurries. Experimental together with intense, Illicit is every bit venture an offering every bit Tribal Tech delivered inward the '90s.
"Illicit" was Tribal Tech's 1992 spit-in-the-face to corporate radio together with tape companies who would have got the populace believing "light jazz" is actually fusion. The opening track, "The Big Wave," is a convincing spoof of a lite jazz radio station found inward whatever big metropolis inward the United States. The rails begins amongst a cheerily cheesy tune, which sounds similar something that mightiness survive played on i of the many 'wave' stations. Then the drums increase inward tempo together with book until the master copy tune is obliterated, whereupon the band launches into approximately really loud, really edgy together with highly syncopated playing--the hallmark of Tribal Tech. "Illicit" features ii improvisational numbers, "Riot" (named for the L.A. riots happening nearby at that time) together with "Aftermath" (also pointing out the riot's devistation). Bottom line--this album sounds similar a live-in-the-studio record, amongst a raw, cutting audio together with less slickness inward the overall production. Highly recommended to all fusion fans.
This cd inward zilch less than amazing. Tribal Tech peculiarly inward this describe of piece of occupation up, is an amazing band. This cd is the get-go amongst the describe of piece of occupation upward that personally I detect impossible to surpass ... Henderson, Willis, Covington, Kinsey. You can't trounce these guys inward this variety of music ... that I may call, ... fusion, a give-and-take amidst the most hated for dissimilar reasons (I intend past times the guys themselves). It is fantastic that Illicit begins amongst few seconds of what people to a greater extent than oftentimes than non tend to intend close when the give-and-take fusion comes to mind. Influenza A virus subtype H5N1 variety of mellifluos, ultra sweet, elevator-kennyg type of thing, ... together with later those few seconds the band starts an incredible funky fusion groove, "Big vawe" amongst solos to buy the farm for. What you lot volition detect inward this album is an incredibly tight band, a fantastic unit, scaring musicians that play really forrad music. This music isn't for every cat. This music is dense, intense, intelligent ... funny together with entertaining. But ... it deserves your attention. Think Weather Report amongst a boost of ultramodernity, amongst a guitar instead of a sax together with you lot have got the picture. I ain all the albums from the band (minus Dr Hee together with Spears which are unavailable at this time, ... they look sometimes on the used marketplace at out of this basis prices) together with I intend this i ranges amidst the best together amongst Reality check. I adore this one. It's fusion from outer space. Stellar music from the X men of fusion.
Looking for Kenny G or Bela Fleck? Click to approximately other link - this is cream-of-the-crop Tribal Tech, together with it's every bit liable to give notice your ears off every bit anything else. What is most remarkable close all of Tribal Tech's output is the combination of virtuosity together with restraint. They never audio similar they're showing off, notwithstanding at that spot are enough of jaw-dropping moments on every disc. This i is no exception, together with it's in all likelihood the "rawest" sounding of all their catalog. The compositions are complex together with versatile, notwithstanding tend to easily stick inward the mind. The improvisation is sheer brilliance. As usual, they don't have got themselves likewise seriously, infusing enough of sense of humor inward the music, notwithstanding the towering composition together with fifty-fifty to a greater extent than towering performances ascendence a seriousness of their own. This is a must-own for every guitar or bass player, whatever fusion fan, together with anyone who wants to intermission out of the high temperature of contemporary fuzak-jazz. It's albums similar these that brand Kenny G audio positively wimpy, together with the open-minded of the contemporary jazz laid upward mightiness detect themselves irrevocably changed. Heaven knows I couldn't need heed to that materials later listening to this.
The album was recorded during the L.A. Riots inward Apr 1992 at Cherokee Studios, Hollywood, California.
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Track listing:
01 "The Big Wave" (Gary Willis) – 6:31
02 "Stoopid" (Gary Willis) – 5:47
03 "Black Cherry" (Scott Henderson) – 6:42
04 "Torque" (Scott Henderson) – 6:02
05 "Slidin'" Into Charlisa (Scott Henderson) – 7:32
06 "Root Food" (Scott Henderson) – 8:13
07 "Riot" (Tribal Tech) – 6:58
08 "Paha Sapa" (Gary Willis) – 3:24
09 "Babylon" (Gary Willis) – 5:26
10 "Aftermath" (Tribal Tech) – 7:03
Personnel:
Scott Henderson - guitar
Gary Willis - bass
Scott Kinsey - keyboards
Kirk Covington - drums
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