Learn Chick Corea & Gary Burton - 1973 Crystal Silence

Crystal Silence is an album yesteryear Chick Corea in addition to Gary Burton. It was recorded inwards Nov 1972 in addition to produced yesteryear Manfred Eicher for ECM Records. Their collaboration went farther inwards 1979 alongside the albums Duet in addition to In Concert, Zürich, Oct 28, 1979, besides on ECM Records. Nearly xxx years after they followed upwards in ane lawsuit to a greater extent than alongside The New Crystal Silence inwards 2008, this fourth dimension on Concord Records.

For Crystal Silence, the outset of several partnerships betwixt artist/chick-corea-mn0000110541">Chick Corea in addition to vibraphonist artist/gary-burton-mn0000738182">Gary Burton inwards the 1970s, the ii musicians selected an interesting array of material. The compositions on this tape are all modern ones, either yesteryear artist/steve-swallow-mn0000042344">Steve Swallow, artist/mike-gibbs-mn0000408049">Mike Gibbs, or artist/corea-mn0000110541">Corea himself. It is a generally downtempo affair, which allows each purpose participant to stretch out in addition to play highly melodic solos over the oftentimes hard changes. In keeping alongside most ECM releases, in that location is a distinct presence of European elements to the improvisations. There are few overt blues or bebop phrases, artist/corea-mn0000110541">Corea in addition to artist/burton-mn0000738182">Burton opting instead for modern melodies to fuel their improvisations. artist/burton-mn0000738182">Burton has managed to internalize the Castilian in addition to modal implications of artist/corea-mn0000110541">Corea's tunes alongside piddling difficulty, in addition to solos alongside joyful ease through such tracks equally "Señor Mouse." artist/corea-mn0000110541">Corea himself is absolutely burning. His solo contribution on the same rails is both fiery in addition to introspective, combining inwards ane disputation the poles for which he is best-known. The championship rails is besides the centerpiece of the album, a nine-minute exploration of the artist/corea-mn0000110541">Corea ballad that outset appeared on his Return to Forever tape inwards 1972. In keeping alongside the tradition of the smashing masters of the ballad form, fourth dimension seems to disappear equally artist/burton-mn0000738182">Burton in addition to artist/corea-mn0000110541">Corea lovingly caress the song's uncomplicated tune in addition to trip the low-cal fantastic effortlessly roughly the chords, edifice intensity alone to allow it subside in ane lawsuit more. Crystal Silence is a sublime indication of what ii main improvisers tin do given character raw material, alongside the outset side of this tape beingness particularly flawless. Improvised music is rarely this coherent in addition to melodic. Essential for fans of artist/corea-mn0000110541">Corea, artist/burton-mn0000738182">Burton, or jazz inwards general.

This is the original killer collaboration betwixt Chick Corea on grand pianoforte in addition to Gary Burton on vibraphone. Chillout music earlier it was called chillout. Make no fault though, it's non limp, tame shine jazz aka muzak. They play a duet of tunes from Chick's originals done yesteryear Return To Forever lineup, a duet of Gary's, some co-written, in addition to some written yesteryear Chick alongside therefore prominent bassist Steve Swallow.

This is an essential album for whatever serious jazz collection.

While I induce got had several albums yesteryear Chick Corea for over xxx years starting alongside "Return to Forever", I never heard nearly this album until Pat Metheny mentioned it inwards an interview. Remarkably this album was issued the same twelvemonth equally "Return to Forever" (1972) which may hold upwards why it never made it to the surface for many of us.

This is a transcendent slice of music. There are many levels of tune created yesteryear enormous virtuosity of ii musicians feeding off each other inwards an amazing interplay. The audio is fantabulous in addition to the recording has land been remastered yesteryear somebody who actually knew that they were doing. Played inwards a black room alongside goodness headphones it takes you lot places that you lot desire to furnish to regularly. How I missed it all of these years I don't know but give thank you lot you Pat Metheny.

You can't do improve inwards the novel historic menstruation globe than 500 Miles High in addition to the championship piece. Chick tin play Mozart alongside aplomb, in addition to the techniques of improv on the 25th pianoforte concerto are echoes hither inwards post-classical harmonies in addition to an occasional 12-tone scale. The album is a classic of its genre.

I could never tell plenty nearly this CD. When it outset came out, it was never off my turntable. The songs are great... top notch Chick Corea originals. And equally far equally I know in that location has never been a piano/vibes duo that played therefore good together. Sometimes it almost feels similar it's ane instrument. Corea in addition to Burton are merely the best inwards the business. This mightiness rattling good hold upwards inwards my all fourth dimension greatest jazz albums list. Buy it!

I was rattling much surprised, to tell the least, when I discovered, that this work-of-art was available, through Amamzon, in addition to I decided, that I had to induce got it. I outset this on vinyl, unopen to 31 years ago. I was already facinated, the sounds of Chick Corea, in addition to coupled alongside the expertise "Vibe virtuoso," Gary Burton, I was completely sold. If you lot bask listening to the sounds of jazz/fusion music, therefore this CD, should hold upwards inwards your collection! Thank you lot Chick & Gary!

I was fortunate enough, many years agone to hold upwards inwards NYC during the Jazz festival time. We had tickets ane nighttime to a present featuring the Woody Herman Big Band, therefore Chick Corea alongside the MusicMagic line-up. Anyway, in that location was an hr delay inwards setting upwards Chick after Woody that had an unbelievable resolution. Gary Burton was there, in addition to he & Chick played basically the entire Crystal Silence album on phase spell they set-up Chick Corea's band.

This is an unbeleivable album, in all probability ane of my top 5 all fourth dimension albums of whatever genre. It's besides an amazing album for whatever aspiring drumkit purpose participant to practise with.

Track listing

    "Señor Mouse" (Chick Corea) - 6:20
    "Arise, Her Eyes" (Steve Swallow) - 5:08
    "I'm Your Pal" (Steve Swallow) - 4:02
    "Desert Air" (Chick Corea) - 6:26
    "Crystal Silence" (Chick Corea) - 9:05
    "Falling Grace" (Steve Swallow) - 2:42
    "Feelings And Things" (Mike Gibbs) - 4:46
    "Children's Song" (Chick Corea) - 2:11
    "What Game Shall We Play Today" (Chick Corea) - 3:46

Personnel

    Chick Corea – piano
    Gary Burton – vibraphone      

For You Lot Chick Corea & Gary Burton - 1973 Crystal Silence

Crystal Silence is an album past times Chick Corea in addition to Gary Burton. It was recorded inwards Nov 1972 in addition to produced past times Manfred Eicher for ECM Records. Their collaboration went farther inwards 1979 amongst the albums Duet in addition to In Concert, Zürich, Oct 28, 1979, likewise on ECM Records. Nearly thirty years afterward they followed upwards i time to a greater extent than amongst The New Crystal Silence inwards 2008, this fourth dimension on Concord Records.

For Crystal Silence, the kickoff of several partnerships betwixt Chick Corea in addition to vibraphonist Gary Burton inwards the 1970s, the ii musicians selected an interesting array of material. The compositions on this tape are all modern ones, either past times Steve Swallow, Mike Gibbs, or Corea himself. It is a by in addition to large downtempo affair, which allows each thespian to stretch out in addition to play highly melodic solos over the oftentimes hard changes. In keeping amongst most ECM releases, in that location is a distinct presence of European elements to the improvisations. There are few overt blues or bebop phrases, Corea in addition to Burton opting instead for modern melodies to fuel their improvisations. Burton has managed to internalize the Castilian in addition to modal implications of Corea's tunes amongst piffling difficulty, in addition to solos amongst joyful ease through such tracks every bit "Señor Mouse." Corea himself is absolutely burning. His solo contribution on the same rails is both fiery in addition to introspective, combining inwards i disputation the poles for which he is best-known. The championship rails is likewise the centerpiece of the album, a nine-minute exploration of the Corea ballad that kickoff appeared on his Return to Forever tape inwards 1972. In keeping amongst the tradition of the peachy masters of the ballad form, fourth dimension seems to disappear every bit Burton in addition to Corea lovingly caress the song's elementary tune in addition to trip the lite fantastic effortlessly around the chords, edifice intensity solely to allow it subside i time more. Crystal Silence is a sublime indication of what ii main improvisers tin arrive at given lineament raw material, amongst the kickoff side of this tape beingness peculiarly flawless. Improvised music is rarely this coherent in addition to melodic. Essential for fans of Corea, Burton, or jazz inwards general.

This is the original killer collaboration betwixt Chick Corea on grand pianoforte in addition to Gary Burton on vibraphone. Chillout music earlier it was called chillout. Make no error though, it's non limp, tame smoothen jazz aka muzak. They play a twain of tunes from Chick's originals done past times Return To Forever lineup, a twain of Gary's, some co-written, in addition to some written past times Chick amongst in addition to thus prominent bassist Steve Swallow.

This is an essential album for whatever serious jazz collection.

While I direct hold had several albums past times Chick Corea for over thirty years starting amongst "Return to Forever", I never heard almost this album until Pat Metheny mentioned it inwards an interview. Remarkably this album was issued the same twelvemonth every bit "Return to Forever" (1972) which may hold upwards why it never made it to the surface for many of us.

This is a transcendent slice of music. There are many levels of tune created past times enormous virtuosity of ii musicians feeding off each other inwards an amazing interplay. The audio is splendid in addition to the recording has evidently been remastered past times individual who actually knew that they were doing. Played inwards a black room amongst goodness headphones it takes yous places that yous desire to provide to regularly. How I missed it all of these years I don't know but give thank yous you Pat Metheny.

You can't arrive at ameliorate inwards the novel historic menstruation Blue Planet than 500 Miles High in addition to the championship piece. Chick tin play Mozart amongst aplomb, in addition to the techniques of improv on the 25th pianoforte concerto are echoes hither inwards post-classical harmonies in addition to an occasional 12-tone scale. The album is a classic of its genre.

I could never nation plenty almost this CD. When it kickoff came out, it was never off my turntable. The songs are great... top notch Chick Corea originals. And every bit far every bit I know in that location has never been a piano/vibes duo that played thus good together. Sometimes it almost feels similar it's i instrument. Corea in addition to Burton are simply the best inwards the business. This mightiness real good hold upwards inwards my all fourth dimension greatest jazz albums list. Buy it!

I was real much surprised, to nation the least, when I discovered, that this work-of-art was available, through Amamzon, in addition to I decided, that I had to direct hold it. I kickoff this on vinyl, unopen to 31 years ago. I was already facinated, the sounds of Chick Corea, in addition to coupled amongst the expertise "Vibe virtuoso," Gary Burton, I was completely sold. If yous bask listening to the sounds of jazz/fusion music, in addition to thus this CD, should hold upwards inwards your collection! Thank yous Chick & Gary!

I was fortunate enough, many years agone to hold upwards inwards NYC during the Jazz festival time. We had tickets i nighttime to a exhibit featuring the Woody Herman Big Band, in addition to thus Chick Corea amongst the MusicMagic line-up. Anyway, in that location was an hr delay inwards setting upwards Chick after Woody that had an unbelievable resolution. Gary Burton was there, in addition to he & Chick played basically the entire Crystal Silence album on phase spell they set-up Chick Corea's band.

This is an unbeleivable album, in all likelihood i of my top 5 all fourth dimension albums of whatever genre. It's likewise an amazing album for whatever aspiring drumkit thespian to exercise with.

Track listing

    "Señor Mouse" (Chick Corea) - 6:20
    "Arise, Her Eyes" (Steve Swallow) - 5:08
    "I'm Your Pal" (Steve Swallow) - 4:02
    "Desert Air" (Chick Corea) - 6:26
    "Crystal Silence" (Chick Corea) - 9:05
    "Falling Grace" (Steve Swallow) - 2:42
    "Feelings And Things" (Mike Gibbs) - 4:46
    "Children's Song" (Chick Corea) - 2:11
    "What Game Shall We Play Today" (Chick Corea) - 3:46

Personnel

    Chick Corea – piano
    Gary Burton – vibraphone      

For Y'all Chick Corea, Stanley Clarke, Joe Henderson, Lenny White - 1982 A Real Particular Concert

This concert features Chick Corea playing alongside members of the "Return to Forever" band, which includes the legendary players Stanley Clarke on bass, the much celebrated Lenny White on drums summation the multi-GRAMMY® winner Joe Henderson on tenor sax. Songs include "L#s Bop," "Why Wait," "500 Miles High," "Guernica." Chick Corea#s four-decade career is the materials of jazz legend, a blend of influential, limit-breaking musical experiences which stimulate got filled pages of 20th century music history encyclopedias. Jazz has never been the same since the nascency of the samba-flavored ensemble of Return to Forever.

Lenny White's introduction of his bandmates every bit 'The World's Greatest Musicians' is no exaggeration - this music functioning is indeed special, in addition to every bit the previous reviewer mentioned is a perfect house for newcomers to laid out exploring modern acoustic jazz. [there is too another, split upward DVD available - released 4 years agone - of Corea playing acoustic music: "Chick Corea & Friends: Remembering Bud Powell" (live 1996).]

This concert was video taped at Wolf & Rissmiller's Country Club inward Reseda, California [not Tokyo, Nippon every bit the previous review states] inward 1982.

every bit mentioned inward the other review, this DVD video focuses on Return To Forever music in addition to musicians - exactly without electrical instruments. The Chick Corea/Stanley Clarke/Lenny White department reunites from early-mid '70s album classics such every bit Stanley Clarke's "Children Of Forever" in addition to RTF's "Hymn Of The Seventh Galaxy".

Tenor saxophonist Joe Henderson had worked alongside each of these musicians inward diverse jazz contexts for many years earlier this 1982 reunion. Clarke in addition to White had appeared on Henderson's ain 1970-71 Milestone label albums "In Pursuit Of Blackness" in addition to "If You're Not Part Of The Solution, You're Part Of The Problem" (memorably alongside Lenny White in addition to trumpeter Woody Shaw on a smoking Sept. 1970 alive at The Lighthouse session). White in addition to Henderson too famously appeared together on Freddie Hubbard's "Red Clay" [CTI label, 1970] album. Corea in addition to Henderson had worked together on recordings such every bit "Mirror, Mirror" [MPS label 1980, w/Ron Carter in addition to Billy Higgins], "Relaxin' At Camarillo" [Contemporary label 1979, w/Peter Erskine in addition to Tony Williams], in addition to a bully 1981 gear upward "Live In Montreux" [Corea's ain Stretch label, w/Gary Peacock in addition to Roy Haynes].

Henderson is prominently featured on iii of the tracks (he sits out for the trio to perform Corea's '500 Miles High'), giving a beautiful glimpse of his blues-inflected playing on Clarke's composition 'Why Wait', extended improvisation on 'Guernica' (Clarke - bowed bass), in addition to his tour-de-force technique on the swift opener 'L's Bop' (which Lenny White - who co-produced the good on this recording - closes alongside a bravura drum solo). Each instrumentalist is joyfully sensitive in addition to alarm to i around other throughout the set; a display of jazz improvisational magic at its finest.

 The Corea/Clarke/Henderson/White lineup was existence billed at the fourth dimension every bit 'Echoes Of An Era', in addition to the Musician label released a few LPs of this grouping featuring: Freddie Hubbard, trumpet, in addition to Chaka Khan, vocal on one, Nancy Wilson, vocal [sans Hubbard in addition to Khan] on another, in addition to a 3rd called "The Griffith Park Collection" [slyly announced yesteryear Chick inward this video every bit their electrical flow release]. Three (or peradventure four?) cameras were employed; good was done every bit a digital, two-track alive recording. Legon too explains those funky, casual threads worn yesteryear the musicians: an aerodrome snowfall delay in addition to their last-minute arrival to the gig.

Before the CHICK COREA AKOUSTIC BAND, Chick Corea was writing in addition to performing acoustic music. To my noesis this is the starting fourth dimension concert of Chick Corea playing acoustic music on DVD. This quartet is especially impressive seeing that it has 3/4 of the Corea led Return To Forever. RTF did perform acoustic music exactly this grouping is closer to jazz/bebop than RTF ever was. Chick Corea is joined yesteryear RTF veterans Lenny White on Drums in addition to Stanley Clarke on bass every bit good every bit Joe Henderson on Tenor Saxophone. The result is a gear upward of acoustic jazz that is, at times, amazing in addition to ever engaging.
The demonstrate is alone nigh an hr long, exactly what an hr it is. Joe Henderson is a real expert tenor sax thespian in addition to is impressive at times on this disc. Lenny White shows that he tin sack play drums inward a non-electric setting. Lenny is company throughout exactly doesn't hit anything heed boggling similar Dave Weckl does on the Akoustic Band CDs. Chick Corea shows why he is THE keyboard virtuoso/composer of the terminal xxx years. Stanley Clarke is Stanley Clarke. If you lot stimulate got never heard/seen Stanley play the acoustic bass hence you lot are going to live blown away. The interplay betwixt himself in addition to Corea or White is amazing. Stanley Clarke knows how to link the tune in addition to beat together in addition to when he solos, await out. At long last, a run a hazard to come across Stanley on DVD.
The DVD is i gear upward from the band, captured alive inward California inward 1982. The music sounds every bit if the Akoustic band hired a Saxophone thespian to bring together them. The tunes are real similar to the Akoustic band inward tonality/style although the saxophone adds a novel dimension. The gear upward includes alone 4 songs hence you lot know that it is heavy on improvisation. This is post-bop jazz. The band, every bit a whole, soars in addition to Chick in addition to Stanley are amazing. All of the songs are bop-influened. They too incorporate elements of othere jazz influences, most notably Chick Corea's '500 Miles High'. '500 Miles High' is the highlight for me. Henderson sits this vocal out in addition to the trio performs around other latin influeced Corea composition. The magic of RTF is revisited every bit all 3 are given infinite to hit their thing. The interplay picks upward from where Romantic Warrior left off. During this slice Stanley Clarke takes upright bass playing to unparalled heights. The Coltranesque technique that he plays on electrical is unleashed on acoustic. Nobody plays upright similar Stanley.
In conclusion, if you lot are familiar alongside Chick Corea's impressive acoustic catalog in addition to you lot similar what you've heard; hence you'll too similar this. IF you lot are a fusion fan in addition to haven't soundless begun to require heed to bebop or at nowadays jazz hence this would live a expert house to start. It has all of the elements that brand acoustic jazz what it is.

Recorded alive at Wolf & Rissmiller's Country Club, Reseda, California, seven Apr 1982.
Playing time: 56.22 min.

Courtesy: Original uploader 

Tracklist

1. L's Bop – Lenny White
2. Why Wait – Stanley Clarke
3. 500 Miles High – Chick Corea
4. Guernica – Lenny White

Personnel:

Chick Corea - Keyboard
Stanley Clarke - Bass
Joe Henderson - Tenor Sax
Lenny White - Drums

Learn Chick Corea, Stanley Clarke, Joe Henderson, Lenny White - 1982 A Real Particular Concert

This concert features Chick Corea playing amongst members of the "Return to Forever" band, which includes the legendary players Stanley Clarke on bass, the much celebrated Lenny White on drums summation the multi-GRAMMY® winner Joe Henderson on tenor sax. Songs include "L#s Bop," "Why Wait," "500 Miles High," "Guernica." Chick Corea#s four-decade career is the materials of jazz legend, a blend of influential, limit-breaking musical experiences which lead keep filled pages of 20th century music history encyclopedias. Jazz has never been the same since the nascence of the samba-flavored ensemble of Return to Forever.

Lenny White's introduction of his bandmates every bit 'The World's Greatest Musicians' is no exaggeration - this music functioning is indeed special, in addition to every bit the previous reviewer mentioned is a perfect house for newcomers to laid out exploring modern acoustic jazz. [there is besides another, split DVD available - released 4 years agone - of Corea playing acoustic music: "Chick Corea & Friends: Remembering Bud Powell" (live 1996).]

This concert was video taped at Wolf & Rissmiller's Country Club inwards Reseda, California [not Tokyo, Nippon every bit the previous review states] inwards 1982.

every bit mentioned inwards the other review, this DVD video focuses on Return To Forever music in addition to musicians - simply without electrical instruments. The Chick Corea/Stanley Clarke/Lenny White department reunites from early-mid '70s album classics such every bit Stanley Clarke's "Children Of Forever" in addition to RTF's "Hymn Of The Seventh Galaxy".

Tenor saxophonist Joe Henderson had worked amongst each of these musicians inwards diverse jazz contexts for many years earlier this 1982 reunion. Clarke in addition to White had appeared on Henderson's ain 1970-71 Milestone label albums "In Pursuit Of Blackness" in addition to "If You're Not Part Of The Solution, You're Part Of The Problem" (memorably amongst Lenny White in addition to trumpeter Woody Shaw on a smoking Sept. 1970 alive at The Lighthouse session). White in addition to Henderson besides famously appeared together on Freddie Hubbard's "Red Clay" [CTI label, 1970] album. Corea in addition to Henderson had worked together on recordings such every bit "Mirror, Mirror" [MPS label 1980, w/Ron Carter in addition to Billy Higgins], "Relaxin' At Camarillo" [Contemporary label 1979, w/Peter Erskine in addition to Tony Williams], in addition to a bully 1981 gear upward "Live In Montreux" [Corea's ain Stretch label, w/Gary Peacock in addition to Roy Haynes].

Henderson is prominently featured on 3 of the tracks (he sits out for the trio to perform Corea's '500 Miles High'), giving a beautiful glimpse of his blues-inflected playing on Clarke's composition 'Why Wait', extended improvisation on 'Guernica' (Clarke - bowed bass), in addition to his tour-de-force technique on the swift opener 'L's Bop' (which Lenny White - who co-produced the good on this recording - closes amongst a bravura drum solo). Each instrumentalist is joyfully sensitive in addition to warning to 1 closed to other throughout the set; a display of jazz improvisational magic at its finest.

 The Corea/Clarke/Henderson/White lineup was existence billed at the fourth dimension every bit 'Echoes Of An Era', in addition to the Musician label released a few LPs of this grouping featuring: Freddie Hubbard, trumpet, in addition to Chaka Khan, vocal on one, Nancy Wilson, vocal [sans Hubbard in addition to Khan] on another, in addition to a tertiary called "The Griffith Park Collection" [slyly announced yesteryear Chick inwards this video every bit their electrical flow release]. Three (or perhaps four?) cameras were employed; good was done every bit a digital, two-track alive recording. Legon besides explains those funky, casual threads worn yesteryear the musicians: an aerodrome snowfall delay in addition to their last-minute arrival to the gig.

Before the CHICK COREA AKOUSTIC BAND, Chick Corea was writing in addition to performing acoustic music. To my cognition this is the starting fourth dimension concert of Chick Corea playing acoustic music on DVD. This quartet is particularly impressive seeing that it has 3/4 of the Corea led Return To Forever. RTF did perform acoustic music simply this grouping is closer to jazz/bebop than RTF ever was. Chick Corea is joined yesteryear RTF veterans Lenny White on Drums in addition to Stanley Clarke on bass every bit good every bit Joe Henderson on Tenor Saxophone. The lawsuit is a gear upward of acoustic jazz that is, at times, amazing in addition to ever engaging.
The demo is exclusively almost an hr long, simply what an hr it is. Joe Henderson is a real adept tenor sax histrion in addition to is impressive at times on this disc. Lenny White shows that he tin play drums inwards a non-electric setting. Lenny is corporation throughout simply doesn't practice anything heed boggling similar Dave Weckl does on the Akoustic Band CDs. Chick Corea shows why he is THE keyboard virtuoso/composer of the concluding thirty years. Stanley Clarke is Stanley Clarke. If you lot lead keep never heard/seen Stanley play the acoustic bass thus you lot are going to live blown away. The interplay betwixt himself in addition to Corea or White is amazing. Stanley Clarke knows how to link the tune in addition to beat together in addition to when he solos, await out. At long last, a lead chances to meet Stanley on DVD.
The DVD is 1 gear upward from the band, captured alive inwards California inwards 1982. The music sounds every bit if the Akoustic band hired a Saxophone histrion to bring together them. The tunes are real similar to the Akoustic band inwards tonality/style although the saxophone adds a novel dimension. The gear upward includes exclusively 4 songs thus you lot know that it is heavy on improvisation. This is post-bop jazz. The band, every bit a whole, soars in addition to Chick in addition to Stanley are amazing. All of the songs are bop-influened. They besides comprise elements of othere jazz influences, most notably Chick Corea's '500 Miles High'. '500 Miles High' is the highlight for me. Henderson sits this vocal out in addition to the trio performs closed to other latin influeced Corea composition. The magic of RTF is revisited every bit all 3 are given infinite to practice their thing. The interplay picks upward from where Romantic Warrior left off. During this slice Stanley Clarke takes upright bass playing to unparalled heights. The Coltranesque technique that he plays on electrical is unleashed on acoustic. Nobody plays upright similar Stanley.
In conclusion, if you lot are familiar amongst Chick Corea's impressive acoustic catalog in addition to you lot similar what you've heard; thus you'll besides similar this. IF you lot are a fusion fan in addition to haven't withal begun to ask heed to bebop or direct jazz thus this would live a adept house to start. It has all of the elements that brand acoustic jazz what it is.

Recorded alive at Wolf & Rissmiller's Country Club, Reseda, California, seven Apr 1982.
Playing time: 56.22 min.

Courtesy: Original uploader 

Tracklist

1. L's Bop – Lenny White
2. Why Wait – Stanley Clarke
3. 500 Miles High – Chick Corea
4. Guernica – Lenny White

Personnel:

Chick Corea - Keyboard
Stanley Clarke - Bass
Joe Henderson - Tenor Sax
Lenny White - Drums

Learn Chick Corea-Miroslav Vitous - 1968 1972 [1999] Tones For Joan's Bones - Mount Inwards The Clouds

This compilation hits a bull's-eye past times pulling together ii cardinal sessions: Chick Corea's outset every bit a leader, a blazing, advanced difficult bop railroad train from 1966, in addition to Miroslav Vitous' Mountain inwards the Clouds, recorded inwards 1969 merely prior to the bassist joining the master Weather Report. Corea's writing on Tones for Joan's Bones has an affinity amongst McCoy Tyner's seminal difficult bop structures from this period. Tenor histrion Joe Farrell in addition to trumpeter Woody Shaw are ideal for this music. They deliver virtuoso performances that are both visceral in addition to cerebral. Steve Swallow, spell afterwards focusing solely on electrical bass, frequently amongst a melodic, impressionistic approach, is pure thunder here. In a blindfold exam his acoustic bass could locomote false for Buster Williams'. Drummer Joe Chambers is all relentless, propulsive energy, but subtle too. Corea is a torrent of harmonic in addition to melodic imagination, couched inwards unerring rhythm. On Vitous' fusion classic, Herbie Hancock's electrical pianoforte in addition to John McLaughlin's electrical guitar merge inwards a rich, dense, colorful foundation that affords Vitous in addition to drummer Jack DeJohnette considerable freedom. McLaughlin combines the dreamy pose down he evokes on Miles Davis' In a Silent Way amongst the juddering musical rhythm railroad train on heard on his ain Extrapolation. Like Chambers, who genuinely takes the drum chair for ii tracks, DeJohnette is powerful, creative, in addition to passionate. The superbly recorded Vitous has a sound, technique, in addition to concept that consistently sustain interest. Tenor giant Joe Henderson is on 4 tracks, including an intense, open-ended exploration of Eddie Harris' "Freedom Jazz Dance." Anybody amongst an involvement inwards this vital in addition to exciting catamenia volition notice both of these sessions indispensable. 

Both albums are a pinnacle of achievement for Chick Corea in addition to Miroslav Vitous. They foreshadow the administration of both artists in addition to also reverberate their influences. "Tones For Joan's Bones" is direct ahead Jazz combined amongst occasional Latin rhythms, outrageous melodies typical of the catamenia in addition to style, Chick Corea's "Tyneresque" pianoforte voicings in addition to fluid, crystal clear solos. This is all augmented past times Joe Farrell on reeds in addition to Woody Shaw on trumpet-two of the best. Check out Chick Corea's solo on "Tones For Joan's Bones". Other recordings from this catamenia featuring these artists are available on Chick Corea's "Inner Space" album.
The compositions in addition to musicians on Miroslav Vitous' "Mountain In The Clouds" are roughly of the close progressive in addition to innovative e'er recorded. The moods attain from quiet, cerebral, in addition to transcendental every bit inwards "Epilogue" in addition to "Infinite Search", to unrelenting, up-tempo jams every bit inwards "Freedom Jazz Dance" in addition to peculiarly "I Will Tell Him On You". The latter featuring i of the best, close astonishing guitar solos past times John McLaughlin, real much similar his function on Tony Williams' "Emergency" cd. The balance of the musicians on the album are basically a "who's who" inwards the business: Joe Henderson on sax, Herbie Hancock on piano, Miroslav on bass in addition to Jack DeJohnette on drums all add together their unique personalities to a timeless classic.  

 

Track Listings
1. Litha - Chick Corea
2. This Is New - Chick Corea
3. Tones For Joan's Bones - Chick Corea
4. Straight Up And Down - Chick Corea
5. Freedom Jazz Dance - Miroslav Vitous
6. Mountain In The Clouds - Miroslav Vitous
7. Epilogue - Miroslav Vitous
8. Cerecka - Miroslav Vitous
9. Infinite Search - Miroslav Vitous
10. I Will Tell Him On You - Miroslav Vitous

Credits

• Bass – artist/128396-Miroslav-Vitous" target="_blank">Miroslav Vitous (tracks: five to 10), artist/284204-Steve-Swallow" target="_blank">Steve Swallow (tracks: 1 to 4)
• Drums – artist/238626-Jack-DeJohnette" target="_blank">Jack DeJohnette (tracks: 5, 6, 9, 10), artist/256581-Joe-Chambers" target="_blank">Joe Chambers (tracks: 1 to 4, 7, 8)
• Electric Piano – artist/3865-Herbie-Hancock" target="_blank">Herbie Hancock (tracks: five to 10)
• Flute – artist/257008-Joe-Farrell" target="_blank">Joe Farrell (tracks: 1 to 4)
• Guitar – artist/136179-John-McLaughlin" target="_blank">Mahavishnu John McLaughlin* (tracks: five to 10)
• Piano – artist/37731-Chick-Corea" target="_blank">Chick Corea (tracks: 1 to 4)
• Producer – artist/30721-Herbie-Mann" target="_blank">Herbie Mann
• Tenor Saxophone – artist/257008-Joe-Farrell" target="_blank">Joe Farrell (tracks: 1 to 4), artist/10079-Joe-Henderson" target="_blank">Joe Henderson (tracks: five to 10)
• Trumpet – artist/255117-Woody-Shaw" target="_blank">Woody Shaw Jr.* (tracks: 1 to 4)

For You Lot Chick Corea-Miroslav Vitous - 1968 1972 [1999] Tones For Joan's Bones - Mount Inwards The Clouds

This compilation hits a bull's-eye yesteryear pulling together ii telephone commutation sessions: Chick Corea's rootage every bit a leader, a blazing, advanced difficult bop fix from 1966, together with Miroslav Vitous' Mountain inwards the Clouds, recorded inwards 1969 only prior to the bassist joining the master copy Weather Report. Corea's writing on Tones for Joan's Bones has an affinity amongst McCoy Tyner's seminal difficult bop structures from this period. Tenor share participant Joe Farrell together with trumpeter Woody Shaw are ideal for this music. They deliver virtuoso performances that are both visceral together with cerebral. Steve Swallow, land afterward focusing solely on electrical bass, oft amongst a melodic, impressionistic approach, is pure thunder here. In a blindfold exam his acoustic bass could last false for Buster Williams'. Drummer Joe Chambers is all relentless, propulsive energy, but subtle too. Corea is a torrent of harmonic together with melodic imagination, couched inwards unerring rhythm. On Vitous' fusion classic, Herbie Hancock's electrical pianoforte together with John McLaughlin's electrical guitar merge inwards a rich, dense, colorful foundation that affords Vitous together with drummer Jack DeJohnette considerable freedom. McLaughlin combines the dreamy Earth he evokes on Miles Davis' In a Silent Way amongst the juddering beat assault heard on his ain Extrapolation. Like Chambers, who truly takes the drum chair for ii tracks, DeJohnette is powerful, creative, together with passionate. The superbly recorded Vitous has a sound, technique, together with concept that consistently sustain interest. Tenor giant Joe Henderson is on 4 tracks, including an intense, open-ended exploration of Eddie Harris' "Freedom Jazz Dance." Anybody amongst an involvement inwards this vital together with exciting stream volition uncovering both of these sessions indispensable. 

Both albums are a pinnacle of achievement for Chick Corea together with Miroslav Vitous. They foreshadow the direction of both artists together with also reverberate their influences. "Tones For Joan's Bones" is direct ahead Jazz combined amongst occasional Latin rhythms, outrageous melodies typical of the stream together with style, Chick Corea's "Tyneresque" pianoforte voicings together with fluid, crystal clear solos. This is all augmented yesteryear Joe Farrell on reeds together with Woody Shaw on trumpet-two of the best. Check out Chick Corea's solo on "Tones For Joan's Bones". Other recordings from this stream featuring these artists are available on Chick Corea's "Inner Space" album.
The compositions together with musicians on Miroslav Vitous' "Mountain In The Clouds" are approximately of the almost progressive together with innovative always recorded. The moods attain from quiet, cerebral, together with transcendental every bit inwards "Epilogue" together with "Infinite Search", to unrelenting, up-tempo jams every bit inwards "Freedom Jazz Dance" together with peculiarly "I Will Tell Him On You". The latter featuring i of the best, almost astonishing guitar solos yesteryear John McLaughlin, real much similar his run on Tony Williams' "Emergency" cd. The balance of the musicians on the album are basically a "who's who" inwards the business: Joe Henderson on sax, Herbie Hancock on piano, Miroslav on bass together with Jack DeJohnette on drums all add together their unique personalities to a timeless classic.  

 

Track Listings
1. Litha - Chick Corea
2. This Is New - Chick Corea
3. Tones For Joan's Bones - Chick Corea
4. Straight Up And Down - Chick Corea
5. Freedom Jazz Dance - Miroslav Vitous
6. Mountain In The Clouds - Miroslav Vitous
7. Epilogue - Miroslav Vitous
8. Cerecka - Miroslav Vitous
9. Infinite Search - Miroslav Vitous
10. I Will Tell Him On You - Miroslav Vitous

Credits

• Bass – Miroslav Vitous (tracks: five to 10), Steve Swallow (tracks: 1 to 4)
• Drums – Jack DeJohnette (tracks: 5, 6, 9, 10), Joe Chambers (tracks: 1 to 4, 7, 8)
• Electric Piano – Herbie Hancock (tracks: five to 10)
• Flute – Joe Farrell (tracks: 1 to 4)
• Guitar – Mahavishnu John McLaughlin* (tracks: five to 10)
• Piano – Chick Corea (tracks: 1 to 4)
• Producer – Herbie Mann
• Tenor Saxophone – Joe Farrell (tracks: 1 to 4), Joe Henderson (tracks: five to 10)
• Trumpet – Woody Shaw Jr.* (tracks: 1 to 4)

For Yous Chick Corea - 1986 Elektric Band

The Chick Corea Elektric Band is an album past times jazz fusion keyboard thespian Chick Corea, released inwards 1986. It is the eponymous debut album of the Chick Corea Elektric Band, which at that fourth dimension besides featured drummer Dave Weckl, bass thespian John Patitucci together with guitarists Scott Henderson together with Carlos Rios.
This album tin hold out described equally "jazz-rock", though it is much closer to traditional jazz than the jazz-rock albums of the 1970s. The keyboard sounds on the album are typical for the mid-1980s. The drums played past times Dave Weckl dominate the album's sound, alongside the guitar duties dissever betwixt Scott Henderson together with Carlos Rios.
The album features a heavy purpose of FM synthesis, MIDI together with drum programming, expanding on Corea's previous run inwards after lineups of Return to Forever (band) together with reflecting the applied scientific discipline of the fourth dimension when it was conceived together with recorded.

Chick has a long history of reinvention — non to the lowest degree of which was the stunning high-velocity jazz-rock of Return to Forever. In 1986, after a long catamenia of high-profile, to a greater extent than oftentimes than non acoustic collaborations, Chick assembled the Elektric Band, a plugged-in unit of measurement then tight together with flawless that it reinvigorated jazz for a novel generation. Their offset album, The Chick Corea Elektric Band, is a stunner: from the opening flourish of “City Gate,” Chick was clearly announcing a novel direction. The lineup of immature masters — Scott Henderson together with Carlos Rios on guitar, bassist John Patitucci together with drummer Dave Weckl — exactly inhabit Chick’s novel compositions, creating 2nd classics out of tunes similar “Got Influenza A virus subtype H5N1 Match?” together with “Elektric City.”

Chick Corea's Elektric Band's offset disc is the tape which formally introduced the bass virtuoso John Patitucci together with awe-inspiring drummer Dave Weckl to the world. Patitucci's six-string electrical bass technique together with Weckl's crystal build clean drumming acrobatics would teach the materials of legend together with the sparkle inwards the eyes of beat department students from this indicate forward. Unlike almost keyboardists at the time, Corea approached the synthesizer equally an private instrument--not equally an electrified piano. As a result, this group's audio was much richer together with to a greater extent than creative than similar ensembles of the day.

On "Rumble," Corea's furious fingerings are matched note-for-note past times Weckl's purpose of drum machines together with electronic sounds to practise a kaleidoscopic backdrop. In contrast, the subdued "Cool Weasel Boogie" displays a softer side to the machines together with sampled sounds. The almost impressive rails is "Got Influenza A virus subtype H5N1 Match?" Blisteringly fast alongside jaw-dropping solos past times all, this melody cemented the group's condition amid musicians the footing over. The unique "King Cockroach" features a squeamish blend of Corea's nimble playing, guitarist Scott Henderson's soaring tones together with the Weckl/Patitucci beat machine. In all, at that spot is fiddling wonder why this band all but defined non bad electrical jazz inwards the '80s.  

Track listing

All songs past times Chick Corea except where noted otherwise.

    "City Gate" – 0:54
    "Rumble" – 4:04
    "Side Walk" (Chick Corea/Dave Weckl/John Patitucci) – 3:48
    "Cool Weasel Boogie" – 6:43
    "Got a Match?" – 5:38
    "Elektric City" – 4:07
    "No Zone" – 5:29
    "King Cockroach" – 6:56
    "India Town" – 5:06
    "All Love" – 5:45
    "Silver Temple" – 8:32

(Tracks #1, #10 & #11 were non included inwards the original number of the album)

Personnel: 
 Chick Corea (keyboards, synthesizer, programming) 
 Scott Henderson , Carlos Rios (guitar)
 Bo Tomlyn (voice box)
 John Patitucci (electric bass, 6-string bass)
 Dave Weckl (drums, percussion) 

Learn Chick Corea - 1986 Elektric Band

The Chick Corea Elektric Band is an album past times jazz fusion keyboard actor Chick Corea, released inwards 1986. It is the eponymous debut album of the Chick Corea Elektric Band, which at that fourth dimension besides featured drummer Dave Weckl, bass actor John Patitucci too guitarists Scott Henderson too Carlos Rios.
This album tin endure described every bit "jazz-rock", though it is much closer to traditional jazz than the jazz-rock albums of the 1970s. The keyboard sounds on the album are typical for the mid-1980s. The drums played past times Dave Weckl dominate the album's sound, amongst the guitar duties separate betwixt Scott Henderson too Carlos Rios.
The album features a heavy purpose of FM synthesis, MIDI too drum programming, expanding on Corea's previous operate inwards afterwards lineups of Return to Forever (band) too reflecting the technology scientific discipline of the fourth dimension when it was conceived too recorded.

Chick has a long history of reinvention — non to the lowest degree of which was the stunning high-velocity jazz-rock of Return to Forever. In 1986, after a long menstruum of high-profile, to a greater extent than oftentimes than non acoustic collaborations, Chick assembled the Elektric Band, a plugged-in unit of measurement too then tight too flawless that it reinvigorated jazz for a novel generation. Their starting fourth dimension album, The Chick Corea Elektric Band, is a stunner: from the opening flourish of “City Gate,” Chick was clearly announcing a novel direction. The lineup of immature masters — Scott Henderson too Carlos Rios on guitar, bassist John Patitucci too drummer Dave Weckl — only inhabit Chick’s novel compositions, creating 2nd classics out of tunes similar “Got Influenza A virus subtype H5N1 Match?” too “Elektric City.”

Chick Corea's Elektric Band's starting fourth dimension disc is the tape which formally introduced the bass virtuoso John Patitucci too awe-inspiring drummer Dave Weckl to the world. Patitucci's six-string electrical bass technique too Weckl's crystal build clean drumming acrobatics would snuff it the materials of legend too the sparkle inwards the eyes of beat department students from this indicate forward. Unlike nearly keyboardists at the time, Corea approached the synthesizer every bit an private instrument--not every bit an electrified piano. As a result, this group's audio was much richer too to a greater extent than creative than similar ensembles of the day.

On "Rumble," Corea's furious fingerings are matched note-for-note past times Weckl's purpose of drum machines too electronic sounds to practice a kaleidoscopic backdrop. In contrast, the subdued "Cool Weasel Boogie" displays a softer side to the machines too sampled sounds. The nearly impressive rail is "Got Influenza A virus subtype H5N1 Match?" Blisteringly fast amongst jaw-dropping solos past times all, this melody cemented the group's condition amid musicians the basis over. The unique "King Cockroach" features a overnice blend of Corea's nimble playing, guitarist Scott Henderson's soaring tones too the Weckl/Patitucci beat machine. In all, at that spot is footling wonder why this band all but defined dandy electrical jazz inwards the '80s.  

Track listing

All songs past times Chick Corea except where noted otherwise.

    "City Gate" – 0:54
    "Rumble" – 4:04
    "Side Walk" (Chick Corea/Dave Weckl/John Patitucci) – 3:48
    "Cool Weasel Boogie" – 6:43
    "Got a Match?" – 5:38
    "Elektric City" – 4:07
    "No Zone" – 5:29
    "King Cockroach" – 6:56
    "India Town" – 5:06
    "All Love" – 5:45
    "Silver Temple" – 8:32

(Tracks #1, #10 & #11 were non included inwards the original number of the album)

Personnel: 
 Chick Corea (keyboards, synthesizer, programming) 
 Scott Henderson , Carlos Rios (guitar)
 Bo Tomlyn (voice box)
 John Patitucci (electric bass, 6-string bass)
 Dave Weckl (drums, percussion) 

Learn Can Mclaughlin, Chick Corea - 2009 5 Peace Ring [Live]

Five Peace Band Live is a 2009 post bop/jazz fusion album from musicians Chick Corea, John McLaughlin, Kenny Garrett, Christian McBride too Vinnie Colaiuta.

They toured Europe betwixt the 22 Oct too 23 Nov 2008, later on touring North America, too went on to Asia inwards saltation 2009 amongst Brian Blade on drums

artist/chick-corea-mn0000110541">Chick Corea too artist/john-mclaughlin-mn0000223701">John McLaughlin portion i of the neat pedigrees inwards the music of the 20th century: they were both substitution sidemen on artist/miles-davis-mn0000423829">Miles Davis' seminal albums In a Silent Way too Bitches Brew. They lead hold played together since those heady days, as a duo or as sit-in guests. Five Peace Band was artist/corea-mn0000110541">Corea's thought of putting together a dream band to play all kinds of jazz, too he approached artist/mclaughlin-mn0000223701">McLaughlin. artist/corea-mn0000110541">Corea chose the other members inwards saxophonist artist/kenny-garrett-mn0000767404">Kenny Garrett, drummer artist/vinnie-colaiuta-mn0000714156">Vinnie Colaiuta, too bassist artist/christian-mcbride-mn0000103600">Christian McBride. The grouping toured for nearly a twelvemonth next artist/corea-mn0000110541">Corea's artist/return-to-forever-mn0000463527">Return to Forever reunion tour, too this double CD was compiled from that jaunt. It's truthful that on newspaper supergroups are suspicious offerings. Not then here. This band includes 3 younger -- yet veteran -- musicians who squad wonderfully amongst the 2 legends on this set. Of the 8 pieces included here, 5 are originals -- 3 past times artist/mclaughlin-mn0000223701">McLaughlin too a pair past times artist/corea-mn0000110541">Corea -- along amongst artist/davis-mn0000423829">Davis' "In a Silent Way/It's About That Time" (with artist/herbie-hancock-mn0000957296">Herbie Hancock guesting), artist/jackie-mclean-mn0000127949">Jackie McLean's "Dr. Jackle," too a reading of the measure "Someday My Prince Will Come" (a duet betwixt pianist too guitarist that elegantly closes disc two). artist/mclaughlin-mn0000223701">McLaughlin's compositions are fairly recent; they were recorded amongst his artist/4th-dimension-mn0002140132">4th Dimension grouping on his first-class Floating Point too Industrial Zen albums. As i tin imagine, this cloth is played hither the agency it was at that spot -- solely to a greater extent than then -- as extremely engaging 21st century electrical fusion. His other piece, "Señor C.S.," is reimagined from the studio version on Industrial Zen. Here it is played harder too faster yet gives away none of its Latin groove, too instead comes off as a new, much to a greater extent than technically ambitious mutation of samba.
It should hold upward noted that the beat department hither is zilch less than startling. artist/mcbride-mn0000103600">McBride is as at dwelling on an electrical bass, too his feel of fire, funkiness, too dynamic arrive at is inwards every note. artist/colaiuta-mn0000714156">Colaiuta is merely i of the most talented too exciting drummers out there, too creates an art shape of dressing his timekeeping inwards impeccable too imaginative ways. artist/corea-mn0000110541">Corea's tunes are closer to something resembling mainstream jazz -- though the gorgeous too lengthy (it clocks inwards at over 27 minutes) "Hymn to Andromeda" moves gradually too beautifully to the outside, amongst beautiful playing past times artist/garrett-mn0000767404">Garrett too artist/mclaughlin-mn0000223701">McLaughlin, who tin nevertheless grip non-fusion cloth amongst invention, restraint, too taste. Disc 2 begins amongst an odd, idiosyncratic reading of artist/mclean-mn0000127949">McLean's "Dr. Jackle" as an effort to stretch difficult bop toward something (via artist/corea-mn0000110541">Corea's arrangement) -- but what it is, isn't quite clear. The version of "In a Silent Way/It's About That Time" amongst artist/hancock-mn0000957296">Hancock is the album's high point. He plays an electrical pianoforte too creates the necessary incantatory vibe inwards the ethereal, soft, speculative kickoff for artist/corea-mn0000110541">Corea to merely caress into being. artist/mclaughlin-mn0000223701">McLaughlin exactly floats nigh as an accompanist to the keys, too when he does play unmarried lines, they buy the farm hesitant, soft, direction-pointing exercises toward what is to come. When the melody splits too becomes to a greater extent than aggressive inwards the latter half, the band gels too he finds himself inwards the maelstrom as the 2 keyboardists vie for authorization too the beat department creates a feel of pulse too excitement. His solo is brief too to the betoken yet amount of knots too turns -- his trading lines amongst artist/garrett-mn0000767404">Garrett is specially tantalizing. Five Peace Band re-creates an extremely ambitious too beautifully executed gig, where all players were firing on all cylinders.

Superstar collaborations oftentimes await adept on newspaper but don't pan out inwards reality, then it's a existent pleasance to meet that the pairing of 2 modern legends—keyboardist Chick Corea too guitarist John McLaughlin—is far to a greater extent than than some marketing representative's moisture dream. Teaming amongst 3 younger players who add together their ain cachet—saxophonist Kenny Garrett, bassist Christian McBride too drummer Vinnie Colaiuta—Five Peace Band Live captures the grouping on the initiative of all leg of a nearly year-long tour, hot on the heels of Corea's much-lauded Return to Forever reunion, documented on article.php?id=32146" target="_blank">Returns (Eagle Records, 2009). While FPB Live isn't as pedal-to-the metallic fusion as Returns, there's no shortage of high-octane playing, as the quintet plant through a position out of originals, a pair of standards too a fine tribute to Miles Davis, who brought Corea too McLaughlin together for the initiative of all fourth dimension thirty years agone on In a Silent Way (Columbia, 1969).

Comparing FPB amongst McLaughlin's quaternary Dimension group, the 2 tracks covered past times both bands yield pregnant differences. The fiery "Raju" doesn't modify much, though Garrett nearly blows the roof off whatever venue it was recorded in, lending considerably to a greater extent than weight to the song. Colaiuta too McBride are as powerful, spell Corea's personality gives the melody some additional harmonic movement.

"Senor C.S.," on the other hand, is reimagined as a high velocity samba, kickoff amongst a Corea/McLaughlin duet that demonstrates the simpatico bond that makes this pairing long overdue. Despite McLaughlin's lightning-fast yet e'er lyrical delivery, it recalls Corea's early, Latin-esque Return to Forever—although the belatedly Joe Farrell never played amongst as much unbridled passion as Garrett, who comes unopen to stealing the present from Corea too McLaughlin on to a greater extent than than i occasion. Meanwhile, "New Bruise, Old Blues," from article.php?id=22551" target="_blank"> Industrial Zen (Verve, 2006), is as funky as FPB gets, amongst i of Corea's most visceral synth solos of the set.

If McLaughlin's tunes are to a greater extent than fusion-centric, Corea's 2 contributions accept FPB closer to the modern mainstream, amongst "The Disguise" to a greater extent than down-the-middle, but proof- -as if whatever was needed—that McLaughlin tin nevertheless operate that turf amongst ease. "Hymn to Andromeda" begins freely, Corea working inwards too out of the pianoforte box as McBride enters to deliver a poignant arco solo earlier the residuum of the grouping joins to gradually deed into modal territory, amongst Garrett delivering some other ready highlight, gradually edifice his solo as the band coalesces too intensifies behind him.

Alongside a quirky rearrangement of Jackie McLean's "Dr. Jackle" too a closing Corea/McLaughlin duet on "Someday My Prince Will Come," the grouping pays tribute to Miles on a lengthy, to a greater extent than open-ended rework of "In a Silent Way/It's About That Time," amongst Herbie Hancock guesting to create an ethereal electrical pianoforte cushion earlier the band enters inwards the to a greater extent than propulsive 2d half, amongst McLaughlin proving himself as able an accompanist as he is an evocative soloist.

Track listing
Disc one

    "Raju" (John McLaughlin) – 12:29
    "The Disguise" (Chick Corea) – 13:32
    "New Blues, Old Bruise" (John McLaughlin) – 14:06
    "Hymn to Andromeda" (Chick Corea) – 27:45

Disc two

    "Dr. Jackle" (Jackie McLean) – 22:53
    "Senor C.S." (John McLaughlin) – 20:15
    "In a Silent Way / It's About That Time" (Miles Davis, Joe Zawinul) – 20:06
    "Someday My Prince Will Come" (Frank Churchill, Larry Morey) – 7:42

Personnel

    Chick Corea - acoustic piano, electrical piano, synthesizer
    Kenny Garrett - alto saxophone
    John McLaughlin - electrical guitar
    Christian McBride - acoustic bass, electrical bass
    Vinnie Colaiuta - drums, percussion

Learn Chick Corea Elektric Ring 1988 [1994] Center Of The Beholder

Eye of the Beholder is a 1988 album past times the Chick Corea Elektric Band. It features Chick Corea with guitarist Frank Gambale, saxophonist Eric Marienthal, drummer Dave Weckl as well as bassist John Patitucci.

During an era when the give-and-take "fusion" was applied to whatever mixture of jazz with popular or funk, artist/chick-corea-mn0000110541">Chick Corea's Elektric Band reinforced the word's master copy meaning: a combination of jazz improvisations with the power, rhythms as well as audio of rock. Eye of the Beholder, which constitute guitarist artist/frank-gambale-mn0000164334">Frank Gambale, saxophonist artist/eric-marienthal-mn0000195442">Eric Marienthal as well as bassist artist/john-patitucci-mn0000188776">John Patitucci displaying increasingly master copy solo voices, is 1 of this group's finest recordings as well as ranks with the best fusion of the latter one-half of the 1980s. 

After a highly impressive debut album as well as a stylistically simpler sophomore release, the Chick Corea Elektric Band proceeded to arrive at an album that was musically to a greater extent than advanced than anything they had accomplished before. The result, EYE OF THE BEHOLDER, is arguably the best tape the band produced inwards their seven-year existence. With saxophonist Eric Marienthal as well as guitarist Frank Gambale on board to heighten the heart trio of Corea, Dave Weckl (drums) as well as John Patitucci (bass), EYE is the perfect remainder of the group's stunning technical chops, musical artistry as well as technological wizardry.

The most obvious departure on this tape is the incorporation of to a greater extent than natural, acoustic sounds into the "electric" format. Corea's purpose of acoustic pianoforte (enhanced past times synthesizers), Weckl's natural drum as well as percussion sounds, Marienthal's sax as well as fifty-fifty Gambale's purpose of closed to acoustic guitar lend a much warmer vibe to EYE than previous efforts. What's more, many compositions, including "Home Universe," "Eternal Child," "Beauty" as well as "Ezinda" receive got a real chamber-ensemble experience with many varied textures as well as dynamics. Finally, the championship rails is a spectacular Spanish-flavored barnburner inwards the manner of Corea's "Spain" that showcases each member's strengths to the fullest.

“Eye of the Beholder” - An appropriate championship for a function that that may non appeal to all, but for those who tin run into past times the surface as well as seat with Chick Corea's unique audio as well as creative genius, this is an absolute gem.

The 3rd issue of the Electrik Band, the album follows the master copy self-titled "Electrik Band" as well as "Light Years". One notes a clear departure from the master copy difficult electrical fusion of the get-go tape to a to a greater extent than acoustic sound, a tendency that continued with the issue of the band's 4th album - "Inside Out".
In my opinion, "Eye of the Beholder" was undoubtedly the meridian of the Electric Band's existence.
The impressive affair nearly closed to of the Electric Band's before function is how the absolute best tin live on brought out of uncomplicated compositions, exactly past times nifty musicianship as well as improvisation. I am non a pupil of music, as well as therefore the technical price elude me, but my perception is that most of these industrial plant purpose a basic core, which gets repeated several times with small, but perceivable changes on each cycle. It is a deadening but deliberate construct upwardly to the ultimate climax. I wonder if the term “Stretch” Corea used inwards the naming of his tape fellowship refers to this concept?

"Eye of the Beholder” is no different inwards this regard, but the compositions are meatier than the before releases. Each rails has an originality of its ain as well as takes the listener on an emotional excursion.

Of the Electrik Band releases, this tape is the most timeless as well as sounds equally proficient today equally when I purchased it inwards 1991.
It is an absolute must for whatever respectable Fusion collection. 

I am a instrumentalist as well as a HUGE fan of the Elektric Band. I must say, this album has belike shaped my keyboard styles to a greater extent than than whatever other. My blood brother is a drummer as well as used to receive got these tapes, when he was away I would sneak inwards his pocketbook as well as hear to his tapes (remember those!); this album blew my mind, it was dissimilar anything I'd e'er heard. Once I got into jazz I constitute out where Chick draws his manner from, as well as nearly the Elektric Band concept, this album stands out with the serial equally the most epic; to this solar daytime it contains closed to of the most beautiful as well as intricately woven counter-melodies as well as harmonies that I've heard, as well as to think: the get-go fourth dimension I heard this album I wasn't fifty-fifty a teenager yet, as well as it was over 12 years ago. No pianist live on today matches Chick's unique combination of skill, technique, artistry, as well as overall musicality, as well as this album shines. I dear all of the E. Band albums, but this 1 stands out because of its overall 'acoustic' experience as well as intertwined themes. Listen to the album direct through, as well as you'll hear recurring passages as well as themes throughout - as well as it volition brand yous smile.
This album is a must have, for whatever fan of Chick Corea.

If yous are looking for nifty synth sounds from the 80's, nifty compositions, as well as the best musicians, "Eye of the Beholder" won't dissapoint you. It has the good known progressive jazz of Chick Corea along with his friends: John Patitucci (basses), Dave Weckl (drums as well as percussion), Eric Marienthal (sax), Frank Gambale (guitar).
"Home Universe", the get-go song, starts with nifty percussion as well as "strings" inwards a march-like musical rhythm amount of mystery. "Eternal Child" is a beautiful ballad inwards piano. "Cascade" has an intro which uses a synth audio that makes yous experience equally if yous were inwards forepart of a cascade.
The album is an splendid recording with nifty mixing past times Bernie Kirsh as well as Chick Corea.
Personally, this is my favorite album past times Chick as well as his band. I receive got never lost the feel of satisfaction I experience each fourth dimension I hear to the album. I highly recommend it, peculiarly to Chick fans. 

Wow...I can't believe anyone would tell this issue was anything but perfect. This CD is what turned me on to jazz inwards the get-go place...I was sixteen as well as a metallic caput at the time. Here it is, nearly fifteen years later, as well as I nevertheless hear to this CD constantly. The actual music is beautiful, the transitions are genius, as well as the musicians...well, inwards my persuasion at that topographic point couldn't receive got been a improve blend of members. This album completely changed me equally a musician.

Track listing:

01. Home Universe (2:44)
02. Eternal Child (4:52)
03. Forgotten Past (2:58)
04. Passage (4:56)
05. Beauty (7:56)
06. Cascade, Pt. 1 (1:54)
07. Cascade, Pt. ii (5:19)
08. Trance Dance (5:50)
09. Eye of the Beholder (6:39)
10. Ezinda (6:54)
11. Amnesia (3:28)

Vinyl Version has alone tracks 1-9 (GRP-A-91053)

Personnel:

    Chick Corea – synthesizer, piano, arranger, keyboards, producer, engineer, liner notes, mixing
    Frank Gambale – guitar
    Eric Marienthal – saxophone
    John Novello – synthesizer (track ii only)
    John Patitucci – bass
    Dave Weckl – drums